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Lucie 2022-04-20 09:01:02

Silence of the Lambs pulls the film

opening
tree gloomy gray Slow motion panning down the
heroine from far and near hard working lonely long shot
running constantly changing camera angles close-up showing the heroine's temperament gray clothes remote and long shot
look at Stalin before entering the building Different

starting scenes with those around you
Scene 1 Contrast on the elevator after
entering the building A long shot
introduces the location A concise shot follows her all the time
Scene 2
Subjective shot in the office The incident on the wall causes suspense The shot zooms in
close showing the officer's entry into the
conversation Small gestures, touching ears, complicated emotions
, extreme loneliness, and extreme loneliness. After the
key point said, the camera pinches
scene 3. Close-up of the mental hospital
, Chiton's character, pay attention to the heroine's rejection skills.
Scene 4. On the way to the prison, the
camera constantly changes angles The depth of the corridor and
the red scene of the blank shot close-up set off the atmosphere and the
emotion is very intense

Scene 5 The
subjective lens in the corridor looks around for a week Scene 6 The subjective expression of the music and the horror atmosphere in the

prison The doctor's standing position--the small panoramic lens gradually gets closer--The last is the close-up station The posture is very individual. After the verbal confrontation begins, the relationship between the two people is close-up and close -up.






Afterwards, the doctors winked politely when they read the papers
, and then they started to attack each other. The camera got closer and closer. The doctor's overwhelming victory
conversation ended. The side shots reflected the heroine's frustration . When she was close to the glass, her body movements already reflected her trust in the doctor . After the scene 7 came out, it was cut back to her childhood memories. The father-daughter relationship was very harmonious. The empty blue sky was the last one crying alone in the car. The segment deepens the relationship and reflects the heroine's inner Electra complex. Her relationship with the doctor is buried in this way. Scene 8 Two people talking on the phone about specific clues to set off the atmosphere . When your self is driving, there is no one to help professional discrimination. If your leg is broken, there will be a symbol meaning? The role of stage beauty, everything is a little deformed , a lot of subjective shots, the scene changes in the light and shadow in the car, the expression of emotion, the final close-up scene, the towel sitting on the ground in the hospital, the relationship changes, the subjective shot is a bit scary from above , and the verbal confrontation is about the emotion of the case. The relationship between Stalin and his superiors also revealed that their relationship became better----the foreshadowing of emotions. The plot is also the scene of Bill's appearance of night vision goggles on the highway. Bill appeared to move the sofa and explained that the car door was closed after a few shots. The incident has started again, tearing clothes and perverting, a new incident has begun





























Scenario training ground Will the
fierce confrontation also have a symbolic meaning? Scene in

plane
getting in car New clues appear Insect Stalin did not give up the investigation of the case Scene on the way home Stalin no longer has a good impression of the superior The individual began to exchange information. Stalin confided his inner past experience. Bill was a sexual disorder. The girl who was kidnapped at Bill's house appeared. Progressive part of the scene. The shot of the ballpoint pen in the prison. This is a foreshadowing scene. The airport "pen is gone". After that, he molested the congresswoman, was cynical, and finally told him his true state . The scene of Chiton showing his teeth and dancing his claws, the scene of the prison, Stalin's hesitant expression on the elevator . The reason is that I want to save all sentient beings . When I finally left, the touch of two people's fingers is very loving . The role of the prison escape refill has been released.



































The conflict of the prison break felt that the police were useless, but through the lens, it successfully brought the atmosphere into the atmosphere. Credibility
surpassed reality. The last cross- like existence

. For the doctor's confidence, two people came up with the result based on the doctor's analysis. The deceased's home, Starling , found out that the chief said there were clues. Parallel clues at the same time were parallel montage scenes . Bill's house, Bill's dog encountered danger The scene of going to people's place Bill's house and the police deliberately biochemically dislocated to intensify the suspense A chaotic camera scene The moths in the house are very strange and foreshadowing the emotional complex The last paragraph of the night vision goggles is extremely appetizing and enhances the emotion . The hostage rescued the puppy and turned it into a pet? What climax do I want to express? Stalin won the award and completed his self-rescue and the relationship with the officer ended. At the end, pay attention to Stalin's final call for psychological dependence.
































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Extended Reading
  • Juliana 2022-04-24 07:01:01

    According to Dai Jinhua's analytical thinking, this film is not homophobic, but is actually a secret transphobic text. The evil criminal the heroine really faces is not Hannibal, but a transgender woman named "Bison Bill". In the movie, although "Bill" has undergone gender reassignment surgery, she continues to hunt women and create social unrest, eager to cover up her true self by sewing women's skin into a pair of painted skins. This truth, in the definition of the film narrator, is deformed, ugly, dark, unable to see light, and endangers society. The film exposes and showcases Bill's genitals in a dramatic way to satisfy the curious and disgusting eyes and voyeuristic desires of potential conservative audiences. Throughout the film, the heroine, under the guidance of her spiritual father, tracks the transgender person step by step, and eventually shoots him to death, and the heroine is also recognized by the mainstream system and becomes a member of the government's violent organs. It is not difficult for us to come to the following conclusion: expelling aliens is (the patriarchal guidance) a petition handed over by women to the patriarchy.

  • Jewell 2022-04-24 07:01:01

    2021SIFF NO.9 Some feminist and queer elements: trans who have no money for sex reassignment surgery, desire to turn into a butterfly, transform from an ugly buffalo to a beautiful woman, and finally sharpen the knife and crush the weak, put on a coat made of women's skin, and work hard as a policewoman Playing masculinity to adapt to the work environment to fight against the weak lamb's cry is still unavoidable from all kinds of difficulties around her, but she cleverly turns discrimination into an advantage and solves the dilemma Two strategies of sexual perversion The former is accused of being "sick" and needs to be punished The latter strives to be understood and legitimated, and Hannibal unites the two. He proves how the same organism coexists with civilization, the outer shell of etiquette and the inner cannibal pierce the so-called rational society like a knife and prescribe an antidote. - "Face your heart"

The Silence of the Lambs quotes

  • Clarice Starling: There's no correlation in the literature between transsexualism and violence. Transsexuals are very passive.

    Hannibal Lecter: ...Billy is not a real transsexual. There are three major centers for transsexual surgery... I wouldn't be surprised if Billy had applied for sex reassignment at one or all of them and been rejected... Billy hates his own identity you see, and he thinks that makes him a transsexual.

  • Paul Krendler: Senator Martin's been on the line. Did you have a trainee make a kind of phoney deal with Lecter?

    Jack Crawford: Yeah, I rolled the dice, I had to.

    Paul Krendler: Well, she's mad as Hell, Jack.