If you consider "Gladiator" from an artistic and ideological point of view or compare it with "Kingdom of Heaven", which is also produced by Raiders, "Gladiator" is obviously a very pure, full of personal thoughts of the director and screenwriter, and even serious tampering Historical commercial films. But simply considering the epic and story of an epic movie, this movie can mercilessly "earn" the tears of the audience again and again: Hans Zimmer's score for it has become a classic in the history of acoustic music; The most influential awards in the industry that year were all dedicated to it; Lei Dao's lens and unique art style were a complete mess; an infinitely perfect protagonist, like the famous Aragon in the book and the real world, and the war horse in the Chronicle of Warcraft. Thoradin and Lothar, and their "afterlife", Barian, who was reborn for the thousands of inhabitants of the religious city. Many people say that many characters in literary and artistic works are loved because they are more human and have fatal shortcomings. I think this is only a result of the oppression of people in modernity who have escaped the unity of value. At least I Individuals are still full of yearning for this idealistic person or charismatic leader. What they yearn for is not only their attitude of maintaining their own dignity, but also for a kind of use of their own glory and duty. A means of controlling flow to impress and persuade others. This, in my opinion, is the most important factor for an epic work to impress people, because when the characters can persuade and drive the characters in the story with a reasonably controlled flow, their methods are at least sufficient to convince and impress. I am. At this point, the special side close-up and lens stretching language in Lei Dao's lens language undoubtedly truly shaped a brilliant Maximus.
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