[Dream Movie Review] Western Feast under Kun-style Aesthetics

Everett 2022-04-22 07:01:02

Quentin Tarantino, a controversial Hollywood director, perfected the aesthetics of violence, from the misfits in Kill Bill, to the understanding in Inglourious Basterds, to the liberated In the first half of Django, there is no anxiety about Kun-style aesthetics. I feel that I have gradually fallen in love with this style of Quentin. , good at non-linear storytelling, unforgettable dialogue and bloody scenes. This is the Quinn-style aesthetics in my understanding. It is no exaggeration to say that Quentin created the film revolution of American independent film in the 1990s.
The story tells the story of German bounty hunter Kim Schultz (who bought the black slave Django from a slave trader and set him free. In fact, Schultz wanted to train Django into a lawless bounty hunter and capture him for him). A variety of wanted criminals in exchange for payment. Django's only condition is to free his wife Broom Hilda from the tyrannical candy farmer Calvin Candy. The film is Quentin to Sergey in 1966 A tribute to the classic Spaghetti Western film "Diago" directed by O. Cobbsey.
The first half of this film is a lot to watch. Django is busy, rescuing black slaves, sharpening marksmanship, and killing bounty. , depicting the western feast of that era in the United States, and in the second half, Django saves his wife and kills the main line, showing Quentin's own aesthetic characteristics. In terms of actors, Jamie's Oscar-winning performance is well-done. Leonardo's casting was a big surprise for me, a loyal fan who's been in love with him since Titanic, although it's a little sad for the villain, an actor who Samuel L. Jackson has never heard of before. However, the role of the black slave butler left me with a lot of images.
Well, I hope that you will like this "Django Unchained" recommended by your reviewers. If you don't like violence, don't watch it.

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Extended Reading

Django Unchained quotes

  • Amerigo Vessepi: [Franco Nero played the original Django] What's your name?

    Django: Django.

    Amerigo Vessepi: Can you spell it?

    Django: D-J-A-N-G-O. The D is silent.

    Amerigo Vessepi: I know.

  • Django: [as Schultz prepares to pour the beer] What kind of dentist are you?

    Dr. King Schultz: [smiles] Ha!

    [Schultz fills the beer glasses from the tap]

    Dr. King Schultz: Despite that cart, I haven't practiced dentistry in five years. But these days, I practice a new profession...

    [Schultz grabs the glasses filled with beer and gives a drink to Django]

    Dr. King Schultz: Bounty hunter.

    [Schultz sits down with his own glass]

    Dr. King Schultz: Do you know what a bounty hunter is?

    Django: No.

    Dr. King Schultz: Well, the way the slave trade deals in human lives for cash, a bounty hunter deals in corpses.

    [Schultz clinks his beer glass to Django's]

    Dr. King Schultz: Prost!

    [pause]

    Dr. King Schultz: The state places a bounty on a man's head. I track that man, I find that man, I kill that man.

    [pause]

    Dr. King Schultz: After I've killed him, I transport that man's corpse back to the authorities. Sometimes that's easier said than done. I show that corpse to the authorities, proving yes, indeed, I truly have killed him, at which point the authorities pay me the bounty. So, like slavery, it's a flesh for cash business.