Crossing the Bottom Line of Pleasure and Enmity (Draft)

Clifford 2022-04-21 09:01:09

Crossing the bottom line of happiness and revenge, Django is destined to not be saved. After Django blood-washed the Candy Manor, which shamed him, Broomhida, who was elated and his sweetheart, left here, where will his fast horse run?
Will Django go to a paradise without discrimination and oppression? The answer is of course no. In an environment where the silent majority bows to fate, Django is not only seen as a heretic by whites, but also by blacks who are equally oppressed. Django is fighting alone, and he's doomed to be alone. Lonely, he is like a volcano that has been squeezed by plates for thousands of years. As long as the movement of the plates gives him a little gap, he will erupt all his happiness and enmity. The devastating devastation brought about by this eruption is chilling, impulse defeats reason, and savagery defeats civilization. The film uses the method of montage to fully deduce the blood, cruelty, violence, and pornography, or this is the best script that is not ideal.
Django's irrational behavior is doomed that he cannot be saved, and it is himself who pushes himself to the opposite. The kind assistance of German bounty hunter Dr. Kim Schultz, learn vital capture and tracking skills from German bounty hunter Dr. Kim Schultz. These well-intentioned rescues cannot fundamentally solve his identity problem, let alone solve a series of troubles caused by his impulsiveness. His impulsive action raises the suspicions of Candy's most loyal house slave, Stephen, and leads to a bloody gunfight that nearly kills him. After Django gained the status of "free man", the flame of urgent revenge in his heart became more and more vigorous, and he was directly shot and killed by the enemy. Violence in action is accompanied by violence in thought.
Django seeks true freedom as he assists Schultz in the hunt for the murderous Blitter brothers, and then finds and rescues his lost wife, Broomhida. In the West under the rule of slavery, savage weeds are growing wildly, and the hearts of the oppressed, including Django, are filled with savage fire. The savage fire not only distorts Django's actions, but even hurts innocents. Although there are many reasons to justify Django's savage actions, none of them can explain that Django's savage fire has deeply burned his heart for goodness, and the black people in the places where he haunts completely lose the judgment of good and evil. When Django was whipping the Blitter brothers, the black people who were enslaved like him were a little overwhelmed, the order in their hearts was broken, and they did not have the courage to destroy the old order of enslaving themselves and establish a new order. Django's brutality made black blacks of the same color who had been enslaved uneasy, and even when a carload of imprisoned black slaves was rescued by Django, they were at a loss. Most of the black slaves in the film fought against oppression, but after repeated defeats, most of them have succumbed to the oppression of the slave owners. Occasionally there are protests, but they are always ruthlessly suppressed. These brutalities make people feel the darkness in the depths of people's minds at times. When oppressing a group becomes a habit, that dark heart swells rapidly, and the cold-blooded treatment of the oppressed reaches an incomparable level. This kind of cold blood brings shame to the civilization of human progress, and makes the oppressed enjoy the revenge of grievances and revenge. When is the time! Perhaps, Django's marksmanship is good enough, but he can't resist the system formed by a savage civilization. On the contrary, he may become an assistant to a more barbaric system, crossing the bottom line of pleasure and hatred, and there is no other choice but bloody and violent.
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Extended Reading

Django Unchained quotes

  • Amerigo Vessepi: [Franco Nero played the original Django] What's your name?

    Django: Django.

    Amerigo Vessepi: Can you spell it?

    Django: D-J-A-N-G-O. The D is silent.

    Amerigo Vessepi: I know.

  • Django: [as Schultz prepares to pour the beer] What kind of dentist are you?

    Dr. King Schultz: [smiles] Ha!

    [Schultz fills the beer glasses from the tap]

    Dr. King Schultz: Despite that cart, I haven't practiced dentistry in five years. But these days, I practice a new profession...

    [Schultz grabs the glasses filled with beer and gives a drink to Django]

    Dr. King Schultz: Bounty hunter.

    [Schultz sits down with his own glass]

    Dr. King Schultz: Do you know what a bounty hunter is?

    Django: No.

    Dr. King Schultz: Well, the way the slave trade deals in human lives for cash, a bounty hunter deals in corpses.

    [Schultz clinks his beer glass to Django's]

    Dr. King Schultz: Prost!

    [pause]

    Dr. King Schultz: The state places a bounty on a man's head. I track that man, I find that man, I kill that man.

    [pause]

    Dr. King Schultz: After I've killed him, I transport that man's corpse back to the authorities. Sometimes that's easier said than done. I show that corpse to the authorities, proving yes, indeed, I truly have killed him, at which point the authorities pay me the bounty. So, like slavery, it's a flesh for cash business.