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I watched both old and new Django!
Toney 2022-04-21 09:01:09
I looked for "Django" from Italy in 1966, and it's a classic! The whole article has the taste of Gu Long. Did Gu Long start writing novels in 1966? Wilderness, dead town, tavern, prostitute, gold, enemy, dead love, the new love at first sight gives the male protagonist warmth and hope to continue to live. The setting of this scene, plot, and character relationship are all "gulong"! In the end, the scene where the male protagonist and the enemy duel was really a big reversal. It was a surprise at the last minute! . At the beginning of the film, the male protagonist walks alone in the wilderness dragging a coffin, which reminds me of Fu Hongxue walking limpingly; the first time he drew five bullets and five people in a row, reminded me of Xiao Li Fei In the end, his hands were abolished and he was still able to buckle the gun to kill the enemy in seconds. This is not like the world's number one left-handed sword, Jing Wuming, whose left hand was chopped, but people discovered that his right-handed sword is actually stronger than his left-handed sword. Faster! Chinese martial arts novels, Western films in Europe and America, it is very interesting to read and associate. If Quentin's new "Django" is a mashup of popular platters, then this old "Django" is a classic Western cologne. Each has its own merits, but they are all "fresh"!
Extended Reading
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Lucile 2022-04-23 07:01:06
[Django Unchained] 8 points: Quentin didn't play with the structure this time. Although he still has his iconic insertions, he basically told the story along the way. This is somewhat less high than the previous work "Inglourious Basterds". . But, this is Quentin! Once again, he uses violence, wit and humor to shape the characters and complete the story ingeniously, coupled with the style of the American South, so that these 165 minutes are still very exciting! And then... the film inadvertently forms an intertextuality with "Lincoln"...
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Sid 2022-03-26 09:01:01
It’s so good, Quentin is a genius
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Dr. King Schultz: Do most slaves believe in marriage?
Django: Oh, me and wife did. Old Man Carrucan didn't. That's why we, uh, we run off.
Old Man Carrucan: [During Django's flashback when he was a slave on the Carrucan plantation] Django... Django... Django... You got sand, Django. Boy's got sand! I got no use for a nigger with sand.
[Django, with a metal collar around his neck and face, looks on]
Old Man Carrucan: I want you to burn a runaway "R" right here on his cheek, and the girl, too.
[Django groans]
Old Man Carrucan: And I want you to take them to the Greenville auction and sell them. Both of them... separately.
[Django looks at Old Man Carrucan with rage]
Old Man Carrucan: And this one... you will sell him cheap!
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Dr. King Schultz: Oh, Monsieur Candie, you can't imagine what it's like not to hear your mother tongue in four years.
Calvin Candie: Well hell, I can't imagine two weeks in Boston!
Stephen: [laughs out loud] "Two weeks in Boston!" Monsieur Candie, you a mess!