Those who have the seeds of wisdom buried in their brains have to compete with themselves. This is really a good thing. After comprehension and leaping, you can achieve a more remarkable self. At the same time, the Creator has his own plans. Just as Uncle Ge said, Chen Kaige can only be happy, not a person can dance striptease. Hitchcock sits firmly on the throne of the master of suspense and thriller. If you ask him to shoot Mario Monicelli's comedy, he may not be as free as the horseman.
Speaking of Quentin, "Django Unchained" has mixed applause and boos, almost all of which come from Quentin's personal fan base. In the face of such feedback and the results of the Oscars, he should have a clear understanding of his "endowment". The evil scriptures that flow naturally in his blood are inexhaustible. They are the "hope" contained in Pandora's box, so that they can climb to the top of Oscar Hill in Hollywood. .
There is no doubt that "Django Unchained" has fulfilled the "tribute" check. Just the length of the film, and a few more shots, and more loops of Luis Bacalov's Django, can cut out two previous works "Django". The main reason is my preference for the theme song "Django". I carefully copied the opening remarks, and let the listeners finish listening to the song, and I was so attentive to the old version. This is my heart.
Of course, after analyzing the story and characters of the movie, you can merge similar items without making a table. The theme of opposing racism, the bright line of heroes saving beauty, the biography of the sharpshooter legend, and more. These all bind "Django Unchained" tightly to the shadow of the old version of "Django". In other words, this way of finalizing the new film and hanging any director's brand may make the film a crappy Dongshi. Quentin's remake, the gimmick to attract money is not a problem, and the quality will not be too bad. The purpose of watching the film is only one, wondering if he has skipped the benchmark? Or lie down on the pole?
As for Miike Chongshi, it is also a "salutation". He waded in the water a few years ago and successfully landed on the shore, which depends on his cunning. "Sukiyaki Western" seems to please Django, in fact, let the imagination fly, all kinds of patchwork, hodgepodge, using the power of chrysanthemum and knife. The most remarkable thing is his method of moving the whole starry sky. He asks the donor to claim it, and bystanders identify it. After identification, it is found that Miike Tsongshi seems to be secretly in love with Quentin himself, and secondly, he only likes Sergio Cobb. Western-style numbers, color symbols, and deployment methods. Besides, he is "dropping the book bag" contentedly, which is not annoying.
Compared with "Django Unchained", the tribute attitude is very sincere, and it has eight points of genetics. Taking off the paragraph about the birth of Django's master Christopher Waltz, who was born for Oscar, more than 40 years later, this Django is still a complete Be Django, it just requires a little brainstorming. What makes me admire Quentin is his "masquerade", the characters, props, and stories are almost completely absorbed, but the magic lies in the "redesign", the details are affixed with his Quentin label, and it is close to American history, Made a serious western epic school, and it looks like it.
The little tricks are also amazing. The Ku Klux Klan of "Funny Chaos" is naturally not Quentin's original, but he replaced the red hood with a white one, so "coming out" is a credit to Quentin. Replacing the old prostitute with a black girl who can speak German naturally adds a romantic veil to the love scene. Then there's the blanket over Django, which you'll recognize, the whipped prostitute in the old version. Forgot to mention that in the whipping scene, Quentin played out his violent aesthetics. In the old version, the coffin with the barrel-type machine gun and the carriage with the red diamond ball turned into the car of Schultz, a dentist in the new version, and the model of the giant tooth with explosives, all of which are so familiar and fresh. The list goes on and on.
It is always Quentin's own extended storyline that is both praiseworthy and suspicious. Is the whole show too long? A name, which leads to German legends, can be spoken for five minutes. Does this count as a piss? The beautiful nature sets off the shooting training before the birth of the sharpshooter, another long period of urine. . . . . . . The final plot is a failure that completely robbed the audience of their restraint. The Black Pearl rode on the horse and applauded Django, who had succeeded in the blasting. This part is too fragrant. I firmly believe that Quentin, who grew up watching Hong Kong movies in a video store, Has deep nostalgia. It's just a pity, why am I so uncomfortable with Quentin's "comedy"?
Not to mention the bad ones, there are still many things that make me tsk tsk admiration. Several sets of costumes chosen by Django, witty and interesting, and later Django was captured and escaped to get revenge. This episode returns to Quentin's style. Talking, philosophical, Bible, and reincarnation can feel the fun of acquaintance. The design of Dr. Schultz and the role arrangement of the bounty hunter seem to be the most successful. I also agree with Oscar's affirmation. It is not a conformity. I really think it is one of the biggest highlights of this film.
Looking back on my little feelings, my preference for a thing has always been based on preconceived emotions, so I like the old version of "Django". In 2005, Hai Shi gave me Django's music CD, and then I watched the movie, which became a beautiful plot in my memory. If it is emotional, I still like the original version. Perhaps Sergio Corbusi's "Django", under its so-called short "shoddy" appearance, presents a natural and simple instinctual explosion. In a complex era and environment, Django's pessimistic Resolute and awe-inspiring, guarding justice and love. Django with broken hands is more heroic.
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