Uncle Waltz of the Austrian god is too stealing.

Jordy 2022-04-19 09:01:09

The film is not short and the rhythm is slower than expected, but the plot is definitely "fantastic", the kind of unconventional "wonderful", the kind of "wonderful" rarely seen in Hollywood, the violent scenes in this film are not too much. A lot, but enough, and cruel enough, the plot twists are sudden and fun, which is why Quentin won the Oscar for best screenplay.

Because of the other stars, the lead actor in this film is basically like a piece of wood, and he can't recall any outstanding performance. Fox has won an Oscar anyway. Maybe his role is too solid. After all, it is difficult for the image of a slave to be too exaggerated. , the law-abiding may be the best choice.

After giving fat, the uncle Samuel speaks with a southern accent, leans on crutches, always caters to his master and strictly disciplines his subordinates. The image of the black man is really sharp. This kind of person is the most "low" as said in the film. That group of people, indeed, in any era, traitors are the lowest existence, interestingly, the number of such people has not decreased due to the change of times.

In this film, Waltz, the uncle of the Austrian god, is indeed too brilliant and too stealing. Basically, he is present in every scene, and every scene is also his performance, whether it is seeing one and killing one at the beginning, or later slave fraud , he seems to show German often, this time simply let the female slave communicate with him in German in the continental United States. It is estimated that he often plays Germans in the United States. It is also helpless. After all, Austria has a relatively low sense of existence, and its entertainment is greatly reduced. Germany has depth in various senses to the United States and the world.

In fact, Waltz's role is just a civil servant with good marksmanship. All the people he kills are criminals, so Quentin makes it reasonable for him to be very restrained in Leonardo's villa. At the same time, he is also anti-slavery. That era was considered precious, but he was still a civil servant, and it was impossible for him to kill non-criminals. In the end, his famous "can't help" has two meanings, one is to hate cruel slave owners, and the other is himself. of public office.

After watching this film, I didn't have the thrill of watching "Kill Bill", "Pulp Fiction" and "Inglourious Basterds", I am still more sensitive to martial arts, gangsters and World War II themes, I rarely watch Westerns, After all, there weren't many Westerns on TV when I was a kid.

Finally, let’s talk about the brain science in the film~ As a brain science researcher, you will be excited when you see brain science in any entertainment program. Function, this kind of science has been proved to be backward and false. In the film, the brain area responsible for "slavery" is actually the occipital lobe, and that part of the brain area is only responsible for human vision. There are many areas of the human brain that are responsible for slavery, but they also overlap with the brain areas responsible for memory, cognition and emotion. It is not so much "slavery" as it is "domestication". These brain areas are all inside the brain, and they are all very small. brain tissue. As for whether "slavery" can be inherited, it is related to biological genetics.

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Extended Reading
  • Amiya 2022-04-23 07:01:06

    Give me back my Doc! Give me back my Doc! Give me back my Doc! Heartache! Candy Farm is a good name, as good as Candy Box Stadium. Django's return to kill is quite like Wu Song's blood-washing the Mandarin Duck Tower.

  • Benjamin 2021-10-20 18:58:23

    It may not be the best movie of the year, but it is probably the most enjoyable movie for fans. Quentin, who no longer bothers to arrange the structure, adopts a more traditional single-threaded narrative this time. He pays tribute to macaroni westerns, Hong Kong martial arts films and even his own "Shameless Bastard." Mixing and matching music, violence, and language (especially foreign languages) have once again become important props. Samuel L. Jackson dedicated his best performance since "Pulp Fiction"

Django Unchained quotes

  • Dr. King Schultz: [aiming .45-70 rifle at fleeing Ellis Brittle] You sure that's him?

    Django: Yeah.

    Dr. King Schultz: Positive?

    Django: I don't know.

    Dr. King Schultz: You don't know if you're positive?

    Django: I don't know what 'positive' means.

    Dr. King Schultz: It means you're sure.

    Django: Yes.

    Dr. King Schultz: Yes, what?

    Django: Yes, I'm sure that's Ellis Brittle.

    [Schultz shoots Brittle off his horse]

    Django: I'm positive he dead.

  • Calvin Candie: Hello. Stephen, my boy!

    Stephen: [black house servant exiting the Big House] Yeah, yeah, yeah. Hello, my ass. Who dis nigger up on dat nag?

    Calvin Candie: Aw, Stephen, you have nails for breakfast? What's the matter? Why you so ornery? You miss me? Huh?

    Stephen: Oh, yes, sir. I miss you like a hawg miss slop. Like a baby miss mammy titty! I miss you like I misses a rock in my shoe! Now, I aks you, who dis nigger on dat nag?

    Django: Hey, Snowball. You wanna know my name or the name of my horse, you ask me.

    Stephen: Just who the hell you callin' 'Snowball,' hoss boy? I'll snatch yo black ass off dat nag down here in the mud so fast make yo head spin!

    Calvin Candie: Whoa, whoa, whoa, whoa! Stephen! Stephen! Let's keep it funny. Django here's a freeman.

    Stephen: Dis nigger here?

    Calvin Candie: That nigger there. Let me at least introduce the two of you. Django, this is a another cheeky black bugger like yourself, Stephen. Stephen, this here is Django. You two oughta hate each other.

    Stephen: Calvin, just who the hell is dis nigger you feel's the need to entertain?

    Calvin Candie: Django, and his friend in gray here, Dr. Schultz, are customers. And they are our guests, Stephen. And you, you old, decrepit bastard, you are to show them every hospitality. You understand that?

    Stephen: Yes, sir. Him I understands, but I don't know why I got to take lip off dis nigger.

    Calvin Candie: You don't have to know why. Do you understand?

    Stephen: Yes, sir. I understand.

    Calvin Candie: Well, good. They're spending the night. Go open the guest bedrooms and get two ready.

    Stephen: [mortified] He gawn stay in the Big House?

    Calvin Candie: Stephen. He's a slaver. It's different.

    Stephen: In the Big House?

    Calvin Candie: Well, you got a problem with that?

    Stephen: Aw, naw, naw. I ain't got no problem with it. If you ain't got no problem with burnin' the bed, the sheets, the pillowcase, and everything else when this black-ass motherfucker's gone!

    Calvin Candie: That is my problem! They are mine to burn! Now your problem right now is making a good impression! And I want you to start solving that problem right now and get them goddamn rooms ready!

    Stephen: Yes, sir, Monsieur Candie.

    Calvin Candie: Go on, now.

    Stephen: Cain't believe you brought a nigger to stay in the Big House. Yo daddy's rollin' over in his goddamn grave, right now. Brought a nigger to stay with us. What kinda shit is that?

    Calvin Candie: Man, the lip on him! Whoo! He's getting worse and worse. Now, WHERE IS MY BEAUTIFUL SISTER?