"Django Unchained": Black buddies play fast guns, let you call and make you cool

Tiara 2022-04-19 09:01:09

"Django Unchained": The black buddies play fast guns, let you call and let you

say that the old beauty that countless Chinese people yearn for for a long time has also had a dark historical stage. At that time, the black buddies lived there all the days of being a bull and a horse. When I think about it, they are all tears. Men don't cry easily, but occasionally they feel sad, so what should I do? Female sorrows cry, male sorrows sing, and blues and jazz are sung in the hearts of black buddies in their dreams.
This incident illustrates a truth, often art comes from a painful mind.
"Django", Quentin's new work, tells the story of a black buddy who rescues his beloved wife from a heartache. The black buddies were rescued by an old killer by accident, and they were freed all of a sudden. Oh, I'm sorry, I accidentally said a sensitive word. I have sinned and sinned. If you have seen it, please forget it first! Since then, the black buddies not only hang out with the old killer, but also have a new name, "Django, Freeman"!
The serfs who turned over have gone to sing, and the sound of the extravagant has the meaning of chicken feathers?
Really man, don't like red clothes and love armed, dare to call the sun and the moon to a new sky!
Really man, born to play with guns (including jerking off big guys)!
As a result, Django not only changed into a fashionable outfit and rode a white horse, but also played a long-barreled revolver exclusively for western cowboys with ease. Faster hands, faster guns!

Insert a few words about the Quentin movie.
It's not actually Quentin's first to have a black buddy as the first protagonist of a Western movie. Earlier, there was an American comedy master (really a master!) Mel Brooks' classic masterpiece "The Burning Saddle", but this film is A crazy hilarious spoof, and Quentin's taste is always black humor and bloody violence!
Quentin's humor is "urchin mentality" plus "mischief habits", and the scene where the killer first arrives in the town and discusses face masks is definitely a hilarious masterpiece!
Quentin's obsession with violence is a necessary label element. The foggy blood in the shootout of Johnnie To's "Exile" is obviously difficult to satisfy Quentin's heavy taste. The plasma fountain in "Kill Bill" is also an old trick he played, but the genius He is a genius, and he can come up with new ideas. The splash of blood and ink in "Django" will definitely make Quentin fans scream in pain and applaud! The gunshots are loud, the ketchup is flying all over the sky, this is enough!
"Django" is definitely an authentic Quentin movie, those beautiful and forceful soundtracks, those endless dialogues between you and me, those bizarre supporting characters with different shapes and personalities, those who suddenly reversed Plot conflict is a typical feature of Quentin's films.
Quentin loves guest appearances, especially the sb supporting roles who were killed in cameo appearances. He was bombarded in "Planet of Horrors", and he was bombed again in "Django", and there is no scum left. I believe he must be immersed in self-abuse yy. happy!
Quentin also has a special liking for violent eggs. In the shootout in the underground tavern in "Inglourious Basterds", it was the eggs that were violent first. In "Django", he wrote again with the heroic pride of "whoever touches my eggs will be violent". Rogue nature!
As a digression, I always feel that Quentin's temperament is exactly the same as Jiang Wen's "Let the Bullets Fly"!
Alright, let's get back to the story!

The black buddies followed the old killer to kill, and the iron man also had tenderness, and it was his beloved lover who could never forget it in his heart. The black girl once eloped with her black buddies, wanted to be the happiest person, and wanted to break through the shackles of reality. As a result, there were many shocking scars on her back. When the black buddy regained his life, he was a kind and righteous male prostitute who risked his life to rescue his beloved girl.

However, the world is always so cold, and the director is always so cruel. They let the two meet again in their lives, and they are lovers who will never meet again. The first time they met was when the black buddies saw their black girl naked in the sun, How about a man with a gun who can't just shoot his gun? ! To add, the black girl has a great figure!
However, if you want to achieve great things, you must be able to resist the impulse of the moment (the negative teaching materials cannot be cited casually). The black buddies must be very concerned about the international news. He understands this truth, and he does it very well. All of this was originally planned, but unfortunately, people of the same kind often have the biggest enemy (traitors seem to be like this), the plot has turned around, and the black girl's manor owner almost pushed the story to the next level with his neurotic performance. Orgasm, but Quentin, the bad guy, is clearly not content with just one orgasm.
The black buddies went through a fierce battle, surrendered, and then took revenge again. The massacre at the end is very similar to the ending of "Inglourious Basterds", but it didn't do that kind of carnival treatment. Perhaps, Quentin didn't want much, just the black buddies and the black buddies. Girls can be together - love, it's that simple! I love u, baby, say you love me too!

In this story, the old killer, the master actor from Germany, has not been mentioned very much, because he is too busy and radiant. In "Inglourious Basterds", the violent and violent bits can suppress the balance on both sides of the actors, but "Django" actually relies on the outbreak of black buddies and Leonardo to achieve equal constraints!

Oh, why did I say so much without knowing it? Why is it that after watching Quentin's film, it becomes a slapstick? In fact, having said so much, who likes to watch it? Readers only care about one sentence, you just say, is this film good?
Let’s just say a word, a black buddy is playing fast grab, bang bang bang is a shot, don’t you think it’s cool? Cool, then call it out! !




Follow you with meat to
eat2013-4-10

View more about Django Unchained reviews

Extended Reading
  • Keith 2022-03-24 09:01:09

    Actually, this is a prequel to "Lincoln"...

  • Amos 2022-03-24 09:01:09

    This film is so bad that I want to scold my mother! ! !

Django Unchained quotes

  • Dr. King Schultz: [aiming .45-70 rifle at fleeing Ellis Brittle] You sure that's him?

    Django: Yeah.

    Dr. King Schultz: Positive?

    Django: I don't know.

    Dr. King Schultz: You don't know if you're positive?

    Django: I don't know what 'positive' means.

    Dr. King Schultz: It means you're sure.

    Django: Yes.

    Dr. King Schultz: Yes, what?

    Django: Yes, I'm sure that's Ellis Brittle.

    [Schultz shoots Brittle off his horse]

    Django: I'm positive he dead.

  • Calvin Candie: Hello. Stephen, my boy!

    Stephen: [black house servant exiting the Big House] Yeah, yeah, yeah. Hello, my ass. Who dis nigger up on dat nag?

    Calvin Candie: Aw, Stephen, you have nails for breakfast? What's the matter? Why you so ornery? You miss me? Huh?

    Stephen: Oh, yes, sir. I miss you like a hawg miss slop. Like a baby miss mammy titty! I miss you like I misses a rock in my shoe! Now, I aks you, who dis nigger on dat nag?

    Django: Hey, Snowball. You wanna know my name or the name of my horse, you ask me.

    Stephen: Just who the hell you callin' 'Snowball,' hoss boy? I'll snatch yo black ass off dat nag down here in the mud so fast make yo head spin!

    Calvin Candie: Whoa, whoa, whoa, whoa! Stephen! Stephen! Let's keep it funny. Django here's a freeman.

    Stephen: Dis nigger here?

    Calvin Candie: That nigger there. Let me at least introduce the two of you. Django, this is a another cheeky black bugger like yourself, Stephen. Stephen, this here is Django. You two oughta hate each other.

    Stephen: Calvin, just who the hell is dis nigger you feel's the need to entertain?

    Calvin Candie: Django, and his friend in gray here, Dr. Schultz, are customers. And they are our guests, Stephen. And you, you old, decrepit bastard, you are to show them every hospitality. You understand that?

    Stephen: Yes, sir. Him I understands, but I don't know why I got to take lip off dis nigger.

    Calvin Candie: You don't have to know why. Do you understand?

    Stephen: Yes, sir. I understand.

    Calvin Candie: Well, good. They're spending the night. Go open the guest bedrooms and get two ready.

    Stephen: [mortified] He gawn stay in the Big House?

    Calvin Candie: Stephen. He's a slaver. It's different.

    Stephen: In the Big House?

    Calvin Candie: Well, you got a problem with that?

    Stephen: Aw, naw, naw. I ain't got no problem with it. If you ain't got no problem with burnin' the bed, the sheets, the pillowcase, and everything else when this black-ass motherfucker's gone!

    Calvin Candie: That is my problem! They are mine to burn! Now your problem right now is making a good impression! And I want you to start solving that problem right now and get them goddamn rooms ready!

    Stephen: Yes, sir, Monsieur Candie.

    Calvin Candie: Go on, now.

    Stephen: Cain't believe you brought a nigger to stay in the Big House. Yo daddy's rollin' over in his goddamn grave, right now. Brought a nigger to stay with us. What kinda shit is that?

    Calvin Candie: Man, the lip on him! Whoo! He's getting worse and worse. Now, WHERE IS MY BEAUTIFUL SISTER?