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This episode shows the strong strength of the screenwriter, there are excellent products everywhere, all kinds of clues are clicked to the point, not sloppy, and at the end, they do not forget to echo, interlocking and closely fitting, the most attractive part of the show is the constant follow the screenwriter The idea is to unlock the little easter eggs set before.
The episode of dealing with the corpse fragments led to Lao Bai discussing the composition of the body elements with the girl when he was young. The plot is Lao Bai's natural associative memories. The screenwriter's level is to pave the way for the follow-up. In order to pick up girls, now he kills people with his own hands, cleans up his wreckage, and makes Lao Bai fall into thinking, killing a life, what about his soul? After cleaning up the mess, the old white powder stood in the children's swimming pool to wash each other's bodies with spray guns. The plot of the two killers in Quentin's house in the pulp novel is very similar. I don't know if it is a tribute or a coincidence.
Lao Bai's determination to kill Crazy Xiao Ba is another small climax. If it was a domestic drama screenwriter, it might have ruined such a good story: Lao Bai fainted, Xiao Ba secretly hid the fragments of the plate, and when Lao Bai woke up, he found that, Deciding to kill Xiaoba is not interesting, like drinking white water; and this screenwriter is very high here: the audience sees Lao Bai fainting, and their hearts tremble. , but the plate fragments are too close, will Xiaoba pick them up? When Lao Bai woke up, he had fainted for ten minutes, and Xiao Ba's posture had not changed, and he didn't know if he picked it up or not. Lao Bai talked with Xiao Ba, tried to find a reason to convince himself not to kill Xiao Ba, and found that the world was too small, and Xiao Ba was an ordinary member around him before, and he was very kind. When he was about to unlock Xiaoba, he suddenly found that the fragments of the plate were incomplete. After piecing it together, he found that the gap was just in the shape of a blade. Everything was self-evident.
A good drama is to keep tickling you, without telling you the following plot, the screenwriter leads the audience's thoughts and keeps climbing to climax one after another!
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