Something Rised, Something Left.

Effie 2022-04-22 07:01:02

In fact, I didn't think IMAX was so powerful at first, but I was really wrong. The difference between IMAX and non-IMAX shots in the film was obvious. Just a few small shots that were not very dynamic at the beginning easily convinced me, so that every subsequent shot I was amazed at the big scene. We sat in the third row for various reasons, but it didn't seem to affect the viewing experience. The huge screen and high-definition picture made me truly immersive, and even some of the shots gave me the illusion of 3D. , as if the screen can really suck people into another world and watch the whole play as part of it.

It is said that for a full 79 minutes of the film, Nolan chose to shoot with an IMAX camera. I am far from an expert, and I know I should not judge this choice lightly. As for which is better or worse between IMAX and 3D, I just state my subjective feelings: so far, there is no movie with 3D effect that can make me feel in a trance after leaving the theater, intoxicated by the movie screen, so much so that the taxi driver on the return trip The night road madness of the night made me feel like I was in the tunnel of Gotham City, galloping with the police car. If I were to give this movie five stars, it would be at least one and a half stars for the visuals, of course that doesn't mean the rest of it is bad, but a good movie is deeply rooted in people's hearts, not just because of the plot. Plot twists. I always remember a set of shots in "Hugo", the audience who first came into contact with the film in the early 20th century, because the scene of the train entering the station was relatively too realistic, and they were scared away. A good movie, a movie that can be said to expand human imagination, should have the ability to "absorb" the audience into the world of movies. From my personal point of view, Nolan did this, and did not rely on the increasingly complex 3D, 4D, nD, just used the simplest method that seemed to be used.

The soundtrack is as good as ever. Although I have already downloaded the entire soundtrack to enjoy it, Zimmer's music with stunning visual effects produces a level of excitement that cannot be achieved by listening to the music alone. I have to say that the sound effect of the theater is extraordinary, and it is impossible to experience that shocking feeling with headphones at home. In the mid-term, the scene in which Master Wayne and Bane fought hand-to-hand in the sewers was very striking, and half of it was due to the sound effects. Every punch that the two hit each other shook the entire theater through the sound, so as to produce a "fist to the flesh" feeling. So you still have to go to the cinema to watch the movie in order to enjoy it all.

Putting aside the visual and auditory aspects, if the trilogy has to be compared, in my opinion, this work is on a par with the first BB, but both are obviously inferior to TDK. Looking at the whole film, the plot is indeed not as amazing as the previous TDK. It's no wonder that TDK is the darkest and most insane, which may be Nolan's best style, and this style cannot be continued in TDKR due to plot constraints. After the beginning and fall of the trilogy, it must be the rise of Mr. Wayne, which must ignite a fire in the whole film and go to the end of all stories with a raging prairie.

If you want to say where this work can be done better, just in terms of personal opinion, one of them is that the appearance of Batman in the whole film is too small. Compared with the previous two works, the scenes of Batman appearing in the whole film are too small. The proportion is obviously much smaller. Of course, this is to highlight the biggest crisis facing Batman this time, and to set off the efforts of Gotham citizens other than Batman. , If there are more scenes of Batman, the whole film will definitely be able to add a lot of points. The second is that there is no information about the clown in the film, but it echoes the first BB everywhere, making the second TDK appear relatively isolated in terms of the plot structure, and the feeling of the trilogy is not obvious enough. It may be much better if some settings for the linkage between the clown and the shadow warrior alliance can be added.

But in any case, Nolan brought a satisfying ending to the audience, and as a final part, I am personally satisfied. Leaving aside the clown, the theme echoes the first two films well. When Mr. Wayne failed to climb out of the dungeon, the first flashback screen appeared. Thomas Baba climbed down the rock wall and brought the whole series. One of his classic lines: "Bruce, why do we fall?", which made the author almost burst into tears. Later, the picture of the young master successfully climbing out of the dungeon cliff, with a large group of bats flying around it, it is easy to remind people of the ancient well that the young master fell into when he was young, from the fear at the beginning of BB to the fear of using it later. , becoming fear in TDK, and fearing fear again in this TDKR, and finally surpassing fear, the young master has also achieved his own detachment through this rises. In the end, Batman was able to get rid of mortals. He was no longer the orphan whose parents both died and cried silently in the dark night of the city; he was no longer the rebellious teenager whose body and mind were full of anger; A young man who loves his childhood sweetheart; he is no longer a tragic hero who hides the sadness of losing his beloved and wears a glossy mask. Batman can truly become the embodiment of justice, no longer relying on darkness, as a hero in broad daylight, in the center of Gotham City to fight Bane to the death. At this point, the series has become a truly complete trilogy, and the ending has truly been sublimated.

Unforgettable is also the sensational dialogue of Michael Caine's grandfather, Director Gordon's final understanding of Batman's identity. This time, Nolan also brought the smart Robin, a qualified Batman heir, and the sexy Catwoman, the young master's final best destination, plus the domineering and finally affectionate Bane. All the characters are excellent, so much so that I have too much reluctance for this series. The shock of watching TDK for the first time is still vivid in my mind, but these reluctances are finally integrated into the end of the story. The aftermath of the final story of the film is full of satisfaction everywhere. This is really the best ending that Batman should have in Nolan's mouth.

There are many more that can be written, but I feel that my words cannot express all the feelings in my heart. I just walked home at night, but the secluded late night could not hide my inner surging. The dim street lights set off a large area of ​​darkness, but my heart was bright. A good movie is deeply rooted in the hearts of the people, not only because of the profound plot and ups and downs, but also because it brings fire to the audience and will eventually reverberate in the audience's heart for a long time.



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1. In fact, I really want to complain, every time Bane shows up, especially when facing men, he holds his hands on the straps, it looks like he is putting his hands on the neckline to pick up clothes , it's really Billy Herrington's possession, I'm full of love. . . .

2. After the end of the convention, there was a warm applause. After that, many audience members did not leave the venue. They waited until the subtitles were played and the title subtitle of "the dark knight rises" was played. This really shocked me, but in the end I didn't leave. It’s a pity to take pictures of TDKR’s title and subtitles

. 3. There are so many scalpers, which indirectly proves how popular this film is

. . . . .

5. Consider watching IMAX a second time, and I've settled for the Blu-ray Disc trilogy

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Extended Reading

The Dark Knight Rises quotes

  • John Blake: Bane? What do you know about him?

    Selina Kyle: That you should be as afraid of him as I am.

  • Bruce Wayne: I'm not afraid. I'm angry.