But obviously the producer or copyright owner has to take the overall situation into consideration, and has paved the way for "autopilot" to be repaired, and Batman's reclusive face is revealed, so whoever will be in charge of the next Batman will continue.
In this way, there is no real ending. Going backwards, Nolan must also make compromises for many characters in the film production. For example, the villain Bane, who should be comparable to the Joker, cannot be surpassed in the end.
Hans Zimmer's original sound is of such high quality that it almost steals the limelight of the plot itself, especially after a string of subwoofers. The boy's pure singing voice on the court, with its implied meaning in his lyrics, contrasts the two worlds of darkness and light. After the "start" on the court, the competition of the game, which was supposed to be dominated by Bane's overwhelming victory, made it impossible to imagine how Batman could rise from defeat to victory, thinking that he would encounter the same desperate situation facing the Joker in the second part, and had to Choose to blow up the person you love.
But Batman has no one to love, and his motivation only comes from anger.
At the moment when the stadium was blown up, all the underground engineering points in the city were blown up, and the bridge was blown up, when Bane declared that the detonator belonged to the civilians, and the meaning of the rebellion was to return the city to the civilians, I thought that the darkness in Bane's heart The world is big enough to destroy Batman.
When angry people rushed to the streets, looted the city, killed the local tyrants, and divided the fields - Jiang Wen's team and the mob in "Let the Bullets Fly" are a reenactment of the situation in which they rushed into the city with the mob; The desk is stacked like a mountain, and a fake judge is high on the top, facing a chair below to judge the powerful -- chair, or chairman, "Let the Bullets Fly" also has the plot of the people grabbing the "chair" -- whether it is guilty or not, All convicted - isn't it, very familiar!
I thought Bane was "Big Brother", the only child in the dark purgatory who sat through the bottom of the prison, climbed the overhang and rushed out of the light. Only by having a new world in his heart can he overturn an old world. Unexpectedly, a knife pierced Batman's chest is a woman, and the purpose of subverting the world is only to avenge his father, and Bane is just a willing pawn - Zhuang Juxian in "Dragon Babu".
Then a series of awesome incidents of hijacking planes, establishing an army, monopolizing the underground, robbing the stock exchange, launching a riot... all printed an extremely fragile reason, and in the end, Batman didn't need to destroy it at all. ——I think this is a pity, a pity.
That's where Bane and the Joker are hard to match. Baine is afraid, and he is not completely dark, breaking the bottom line of human nature.
And on the woman who slept with Batman, there is not enough ink to describe her hatred, so the power of the two bosses (one bright and one dark) is weakened. It's no wonder that Batman can suddenly appear and save the world - but obviously, with his own power, he can never break through the world destroyed by the mob (they have been violent enough to blow up the bridge and kill themselves!).
Therefore, the bug in the final plot can only be diverted by an invincible air-to-ground battle. It's just weird, she gave the sweet and playful Catwoman too many roles. In fact, she divided the butler who can't be ignored in the Batman League and the great wisdom of Fox.
Nonetheless, I still appreciate this film very much. Appreciate the world in which Nolan has countless depths and countless opposites. The story he tells about the hero versus the villain is no longer reduced to a "point-to-point" battle. It is no longer about Ultraman fighting little monsters, but the hero and the villain have infinitely marginalized characters. self.
The fall of heroes and the precipitation of villains, they are all searching for themselves in the process of accumulating strength. In the final battle, it is unclear who is the revolution and who is the counter-revolution.
Just like Bell in "Deadly Magic", Gapiers in "Memento", and Leonardo in "Inception", they will fall into it layer by layer, like standing in an empty room full of mirrors , see the endless self, until you fall into the bottomless abyss and then do the Jedi counterattack. When the enemy faced by the self is not a single point of the opponent, but a two-dimensional or even three-dimensional world composed of countless self, then the obstacles to break through are enough to make a hero. And such a battle must be sacrificed, either destroying the self and reinventing the personality, or destroying the person most beloved.
"The Joker" is the other side of Batman, so the character's charisma lives on. And Bane's motives determined that he was not, so he eventually lost people's expectations of his "Joker" Nirvana.
Off topic, here are a few of my favorites:
David Fincher. I like the dark and surging world he created. Even in "The Social Network", Mark Zullberg can justify himself and prove himself to be bright, all of which are powerful forces of darkness. Not to mention Fight Club, Zodiac, The Girl with the Dragon Tattoo. The difference between his darkness and Nolan is that he excels in editing and atmosphere, while Nolan excels in logic and structure. ——How to explain the difference, I can only understand.
Heath Ledger. I thought the tribute to the prosecutor in "Dark Night Rising" was actually a tribute to him.
Anne Hathaway. Not suitable for "Catwoman", but I think now, only "Black Swan" Natalie Portman will come close. Because in Anne Hathaway, there is no split.
Christian Bale. He is a powerful actor who lives in the world of Aquarius. If Leonardo was the character who fell in love with schizophrenia, I think Bale was born. But somehow, he made Batman while others remember Heath Ledger the Joker.
While watching "Night Rise," I thought of these movies --
"Let the Bullets Fly," "The Matrix," "Transformers."
"Let the Bullets Fly" has been given a lot of political metaphors, needless to say. The matrix world of "The Matrix" and the two completely deviated concepts of establishing a life system on the planet of "Transformers" Cybertron (the closed nature of the Decepticon VS the openness of the Autobots) are all thought-provoking.
In Rise of the Night, you can't tell whether the city belongs to you or is out of you, and you can't tell whether the revolution is an uprising or a riot.
Perhaps, Batman loses his enemies and becomes the "Big Brother" in "1984"; just as Jobs originally wanted to break 1984, but finally created his own 1984.
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