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I watched it intermittently
Dolores 2022-04-22 07:01:01
I haven't seen the movie, I'm embarrassed to say hello to others, and after a few late nights, I finally finished watching "The Godfather". The events of the 1940s and 1950s were filmed in the 1970s. Now it seems that it is still not out of date, and this is still the case in the rivers and lakes. Quan and Qian are on top of each other, they are duplicitous, and they don't do human affairs in human skin. Can killing people be admired if they have an artistic sense of killing? Similar to the martial arts novels in mainland China, several gangs use each other. Today, if you are so awesome, I will bow my head and kiss the back of your hand to worship you as Godfather. Tomorrow you stand in my way and kill you without a word. nausea.
Extended Reading
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Adelbert 2021-10-20 18:58:05
Unexpectedly, this kind of absolute masculinity film with women completely aphasia would make me worry about it until three o'clock in the morning... Coppola would shoot it too. Full score for lighting soundtrack. Although the male growth film focuses on the story of Al Pacino becoming the new godfather, the elegance of Marlon Brando has become an eternal classic. The opening wedding group drama was superb, and the character introduction and foreshadowing were naturally integrated, quite clever. Of course, he still can't stand the collective climax of the male domination.
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Gregorio 2021-10-20 18:58:02
I read the original English book N years ago, and I only remember it was a bloody and violent story. I never thought that the movie could be so calm and atmospheric, with an epic temperament. Watching Marlon Brando on the big screen, my knee hurts...
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Michael Corleone: Where does it say that you can't kill a cop?
Tom Hagen: Come on, Mikey...
Michael Corleone: Tom, wait a minute. I'm talking about a cop that's mixed up in drugs. I'm talking about a - a - a dishonest cop - a crooked cop who got mixed up in the rackets and got what was coming to him. That's a terrific story. And we have newspaper people on the payroll, don't we, Tom?
[Tom nods]
Michael Corleone: And they might like a story like that.
Tom Hagen: They might, they just might.
Michael Corleone: [to Sonny] It's not personal, Sonny. It's strictly business.
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[Michael sees a man dressed in black coming to Vito's hospital room]
Michael Corleone: Who are you?
Enzo the Baker: I am Enzo. The baker. Do you remember me?
Michael Corleone: Enzo...
Enzo the Baker: Yes, Enzo.
Michael Corleone: You better get out of here, Enzo, there's gonna be trouble.
Enzo the Baker: If there is trouble, I stay here to help you. For your father. For your father.