Before the official start, let me share an interesting lens language I saw. In the first dialogue between Ruby and Jesse, ordinary jumping along the axis would destroy the sense of tranquility at the time, so the film uses the continuous change of focal length to indicate the dialogue. .
Jesse appears to be a harmless and innocent girl, but she has long realized the special appearance of her (her mother calls her dangerous) and uses this as her own bargaining chip. As the only sun in the cold room, Jesse thought he had everything.
In the first run on the runway, the film used a magical lens similar to imagery. Jesse kissed herself in the mirror. This is not as good as Jesse's narcissism is expanding. The scenes of putting on makeup at Ruby's house and standing on the diving platform are all proof.
When Jesse went to the nightclub for the first time, the rhythmic music was matched, the dark and bright scenes, and the yearning for the woman hanging in the air in Jesse's eyes also hinted at Jesse's longing for depravity under her innocent appearance.
Jesse is eager to be famous for Vanity Fair. She refused Dean (the amateur photographer)'s request to leave the wine bureau together. When she finally died in the pool, she was still staring at the stars, yearning for a life with shining stars.
The modeling industry always needs fresh blood. Gigi delays his aging through plastic surgery, while Sarh squeezes out newcomers. Both of them use their own means to maintain their position in the fashion industry. The last two of them went to the point of cannibalism.
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