But what moved me was Boromir's courage to admit his own depravity and make up for it. He fell to the ground in shame and apologized to Frodo, and at the end bravely raised his sword and charged at the enemy, still worthy of the title of a warrior and a hero. Everyone has human weaknesses, everyone loses their minds for a moment, and no one is a saint. But not everyone took their own mistakes like Boromir and used blood and life to justify their own name. The previous wavering at the moment when Boromir swung his sword in the face of the enemy completely detracted from his noble character.
Finally, when Boromir was dying, Aragorn, as he promised, would not let "our people" fail. "Our people," repeated Boromir. Aragorn was finally willing to assume the responsibility of the king, and his country and people once again had hope. Boromir struggled to grasp the sword and took the oath of allegiance to the king and died. A hero's long-cherished wish and journey are over.
Finally, do you think The Lord of the Rings is a classic built by special effects and rural scenery? No, the reason why The Lord of the Rings has become a classic is because the supporting characters like Boromir are still delicately portrayed of humanity. The whole movie is full of strong humanistic care. In contrast, the spiritual value of Chinese films is lackluster. Others' films sing praises of the brilliance of human nature and praise goodness and beauty. Our films are to show off the material enjoyment of drunken fans, to exaggerate the vulgar scenes of the main room of the small three wars, and to spread greed and ugliness nakedly. Chinese filmmakers who were supposed to be the pioneers of the human spiritual world, their spiritual interest has been reduced to a level equal to or even inferior to that of ordinary people.
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