First of all, I have to admit that "Inception" is indeed a masterpiece. Yes, a majestic work woven with reason, the layers of dreams and reality intertwined, and it really gave my brain cells a pleasant outdoor activity lesson. Especially when Mel's subconscious uncle said his father's last words to Mel (of course, it was Mel's own subconscious version), it was really admirable for the meticulousness of the plot, which was so reasonable! The choreographers perfectly demonstrated the feasibility and application effect of a sci-fi invention! From a rational point of view, this is better than "The Shawshank Redemption" and "The Sixth Sense", because "The Shawshank Redemption" and "The Sixth Sense" are just a final big reveal, and you compare it when you finally reveal it. Before, I found that there are foreshadowings and endings everywhere, so that you understand, oh, so it is! ! This feeling is like a torrent in an amusement park, a long brew and a burst of excitement. But "Inception" directly tells you the result, and then shows every step perfectly, how to plan carefully, how to execute step by step, how to solve unexpected situations, but every step is done exquisitely and perfectly, and the plot is ups and downs. It's like riding a roller coaster, going high from the beginning to the end. From this point of view, "Inception" is stronger than the first two, just like roller coasters are more popular than torrents (everyone knows roller coasters, but some people may not know what torrents are, even if people who have played). "Inception" is a rational classic, but in the eyes of film critics, it will not exceed the above two films, because it is too rational, and if the artwork is too rational... you know. Nolan once declared that he would increase the emotional intensity in this film, so let's take a look at the emotional part in "Inception". The emotional scene in this article basically happened between the protagonist and his wife. The thing is like this: two scientists fell in love, and they fell into an infinite dream in order to do the experiment, and the wife was lost in this accident. I hope to stay in a dream with my husband forever. But the husband decided to fight against fate. In order to take his beloved wife out of the dream, he could only use the method of implanting consciousness to help his wife get out of the dream. However, the consciousness was implanted too deeply, and the wife still doubted in reality. In the end, she chose committed suicide, and was behind bars because the husband did not want to commit suicide with his wife. But after this, the husband still can't forget his wife, lingering with his wife in the dream, and still caring for his subconscious wife (so that the mission almost failed). This is Nolan's so-called "emotional enhancement", well, this is indeed a love scene, but this love scene makes the film seem more rational! Combined with my own experience, after that, I have to think so. Couples who are in love always start out with each other, but gradually they become more and more discordant, quarreling and breaking up all day long... I don't have to ask why? Nolan gave me an answer: we were originally in perfect love, but due to time or other reasons, you have changed, you have become different from before, you ask me if I am a Buddha and still love you , if I love you, I will jump with you, I can't choose to jump with you, even if your change may be caused by me, but I still can't. But I still love you, what I love is the original you, so, I will continue to love the original you, even if it is irreversible, I will lock you into my memory, making people think that I have a psychological problem, or that I am a Crazy, I have no turning back! With such a plot, it's no wonder that film critics say "like Kubrick's emotional indifference and lack of human flavor". But what I want to say is that the reality is not as extreme as the movie. Men and women who are in a discordant stage of love, think about themselves, whether they have lost their original self because of strange reasons such as the love of the other party or the cumbersome life, so that the other party cannot be from? Don't always say "you've never been nice to me before", just think about yourself. It can also be regarded as a little experience after watching and appreciating this wonderful movie. I never give up the main theme idea that I felt the meaning of the theme after watching the movie, writing and reading it in elementary school. Summarizing the above situation, I found that this film is a masterpiece unparalleled by other films. Because its rationality dominates everything, the characters, plot, love, family... all appear thin and long under rational anatomy, making it a colorless, cold-blooded film. What could be more cold-blooded than this? Red cold blood full of killing? Or the desperate black cold blood? Reason tells you that those cold-blooded people are too gorgeous. Finally, let’s talk about the ending of the film. This open ending broke my theoretical framework of the rational victory of the film, and it is also the culprit of various popular online explorations of the deeper meaning of the film. Personally, I hate this, this setting makes a world-shattering work so gorgeous at the end of the film that it achieves a disgusting turn, and pulls its height to the level of a second-rate horror film (this is the most extraordinary setting of this ending. , since most open credits have the opposite effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? ! Pull yourself to the level of a second-rate horror movie (this is the most extraordinary thing about this ending set, because most open endings are the opposite of this effect). Can't help but ask are you fucking just for a sequel? It's too commercial, isn't it? !
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