This film did not bring me much deep thinking, but more brought a complicated topic to the audience, and the center of this topic—that is, the setting of dreams and pirates is purely fictional. There is little support for reality theory. The topicality of this film is determined by the seemingly complicated setting of the film, but no matter whether the setting is complicated or not, it should only serve the plot of the film-in fact, the plot of this film is compared with the complex setting of the film It seems too simple.
It's like, I think we love someone and say I love you instead of focusing on analyzing dopamine secretion data.
This confirms my usual view of Nolan - wonderful, but no soul.
The brilliance of the film lies in the setting of the dream, which is also the key element that props up the film-the contradictions in the multi-layer space erupt and resolve at the same time. This kind of overlapping climax is impossible for half of the film's narrative to achieve. break out.
The film explained the film's dream theory in detail from the inside to the outside and then from the outside to the inside through the failed mission at the beginning and the introduction of the dream builder two paragraphs. , At this time, the world view has been set up in the audience's mind, the content of the task is also planned, and then the process of executing the task. From the first layer of dreams, all kinds of troubles have appeared. Each layer of dreams is equivalent to an additional parallel space. Various contradictions are carried out at the same time, and the suspense of the protagonist's emotional line has also been finally solved. Finally, when all the time The line condenses into a moment at the last key point, and the characters wake up layer by layer. This is an overlapping effect that is absolutely impossible to achieve with the narrative techniques of ordinary films.
I'll admit that the storytelling technique is superb, and the wonderful soundtrack and visuals complete the film.
My biggest complaints are a couple of points. First of all, the settings are convoluted. The premise that the inception of the dreamer enters the brain of others is not supported by the theory of reality, and there is no explanation for the origin of the inception of the dream technology in the film. Who is the origin? How old is it? How did the protagonist become a pirate? Since this is a skill that has already been practiced by the military, why hasn't it been applied to politics by various dangerous figures? This might have a more mysterious plot. In addition, the tools used by the pirates turned out to be anaesthetics and intubation equipment. Compared with the huge and magnificent scenes in the dream, every time I saw the scene of opening the box, I couldn't help but want to laugh.
Secondly, the relationship between the protagonists and the husband and wife is lacking and not fulfilling, and there is a sense of twisting, and finally suffering for the sake of pain. The descriptions of the parent-child relationship didn't make a deep sense either. Nolan did a good job in creating the overall atmosphere, and Xiao Li acted very hard, but this plot still seemed bland. (Speaking of which, the dropped high heels and Miss Cotillard's ankle made me feel very tempted...)
Again, why didn't he let the children take them abroad to gather together? How long has the protagonist been away from home... I thought he had been away from home for how many years, the exciting scene should be - when you go home and see that the children have become teenagers, due to the lack of father's love for many years, the son has become a hooligan and the daughter has become a little wife Sister, but the parent-child relationship made them forgive each other, and the three embraced each other sincerely and warmly... In the end, the son and daughter were still so small. So, did they come back in an instant? ! It seems that what was lost is easily returned, and family love has not been experienced over the years. Does this mean that the protagonist is still in a dream? ! Just when I thought about it, the movie ended, and the spinning top became a big topic again.
The group play is still well done, with all kinds of small humor. I'm glad to see that Slyan Murphy is still willing to do something mainstream. We lost Heath Ledger and God sent us Joseph. As for Xiao Li... The PS set that appeared recently is very pleasing.
Although I personally have all kinds of dissatisfaction with Nolan, I think he is too crafty, but I think it is really rare that he can produce exquisite works in a down-to-earth environment. From the point of view of appreciation, I agree with many parts of this film, but it is still a masterpiece.
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