Then I just said a few words. When I came out of the movie theater, my blood boiled. How many comics and novels were I looking for as reference materials? I wrote a long article to show my opinions, but I suddenly found that there were two bad things. Trend:
First of all, the more you look back, the more you will find some irrelevant and seemingly unreasonable things. Here, I complain about "Ito bought an airline as the only rival company, why was it not discovered" and so on. , the sour and rotten spirit of the dead house is meaningless;
secondly, even if I find a pair of reference materials, I can only show my own spirit of the dead house. Ito Junji drew that super long dream manga, The translation version of 2007 published the "Dream Hunter", and I can't even remember it exactly. Who would resonate with me when I went to talk about it, and it might make others misunderstand me as a dead man.
Okay, back to casually talking about it, just talk about whatever comes to mind.
The main thing I want to talk about is the differentiation of the audience. In short, it is one sentence: wake up, Ah Zhai.
The newspaper said this was "a movie that only smart people can understand". When I came home after watching it in the afternoon, my father was still asking me if I understood it, whether I was smart or not--. What I want to say is not that understanding this is not a question of being smart or not, it is a question of home.
The movie is also a dream, a suggestion, an idea implantation, and a time axis change. In the second half of the movie, the wonderful multi-layered dream is in the process of walking together. The minivan is falling at a slow speed. Thinking of a voice of dissatisfaction, he complained aloud, "This car is falling too slowly..." and so on.
I had an illusion at the time. I already felt that the settings of different time flow rates had been emphasized too long. Am I a nerd? But of course I am not. This kind of shallow threshold has already caused the audience to "understand it if they are not smart", which is also a kind of sadness.
Then the topic went to "Does Xiao Li return to reality?" I became impatient when I saw this topic, and I told everyone: Xiao Li did not return to reality! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
He's still in the movie --
well, that's a bad joke.
Continuing to talk about this question, about "The horse is reality?" or "Can anyone tell me if reality is reality?" or "Have you heard of the brain in a vat?
" It's more intense. Movies like "Matrix" and "Silent Hill" involve a lot of "where is reality" issues. It's interesting to see what Lanmaru and Benimaru chose, but that's not the point at all. If only these are the movies, I would still watch them. na?
This kind of thinking has existed thousands of years ago. Our idle master, Mr. Zhuang Zhou, dreamed that he was a butterfly and asked this question.
When we graduate from high school or take the postgraduate entrance examination, this question will be mentioned in the political examination questions. This is called "subjective idealism". "The world is just an illusion in my heart" is a good point of view. The problem is that this is an unfalsifiable proposition. It's just a non-scientific proposition that needs no further study.
Therefore, whether Xiao Li has returned to reality is meaningless in itself, and there is nothing to argue about.
Then I will talk about dreaming. Dreaming is very interesting and a good subject.
The most similar to this movie is the French science fiction I mentioned earlier, "Dream Hunter" published in the 3rd issue of "Science Fiction World·Translation Edition" in 2007. The background setting of the story is basically that some professionals go deep into the film. In the dream, in that world, either exploring or robbing, in short, get some treasures there and wake up. In the process, something will really be brought out, like a psychic bringing back a psychic.
But these are definitely fictitious settings. I still remember when I was in elementary school, once in a dream, I took a lot of trouble to get a night pearl in a canteen for a dollar and regarded it as a treasure, and suddenly realized that I was dreaming, so I held it tightly, thinking I could bring something out of my dream, but woke up and clutched a quilt tightly... I was sad for a long time.
In fact, there are countless otaku works involving similar scenes. In Yukito Mucheng's "Dream of Fire", the protagonist Kelly was trapped in a dream by the boss, Dr. He, and she quit after a long fight.
Of course, what is quite famous now is a comic "bl each", a scumbag that children like cos. When the protagonist is beaten to the ground by others, and the blood bar is only one bar, he will enter the so-called "internal" The world", where he has a lot of time to listen to people's lectures, special training, show coolness, and then come back to become a full-blooded levelup protagonist with aura full of punching the other party in the cafeteria or bleaching.
Of course, these are very nerdy things that have nothing to do with the movie, and have nothing to do with me.
Then I want to talk about the manga "Long Dream" by Junji Ito that I mentioned at the beginning. Didn't that old man Ito grow up in a dream, which means that he can still die in his dream, which is better. The dreamer in "Long Dream" has a problem with his brain. The time in his dream flows at an incomparable speed. He lives in the dream for hundreds of millions of years. And the last dream, the patient may have dreamed forever, it's too scary.
The movie also mentioned this concept. The timeline in the dream flows 20 times faster, and each layer is 20 times faster. This setting is very interesting.
But I don't want to increase the speed by 20 times, and the tone of the music has not decreased at all; why finally Ito is old and Xiao Li is not old; why the acceleration is still so strong after 20 times of weakening; because these problems are too nerdy.
I'm not home.
Then I looked up at the real house. After watching the movie today, I quickly ran to see the man who analyzed the principles of mathematics. The post was very professional, so I would like to worship it here.
But I feel that if these house details are intentionally set by the film, the bar is set too high. In the case that many audiences can't even understand the different time rates of dreams at different levels, the dreams are so organized and meticulous, and there is no need for non-Euclidean geometric spaces. I don't understand metal chess knocks, fractals, etc., but I think even if I understand, to get the pleasure of art appreciation from this detail, how nerdy the audience should be.
I think the movie about this post is trying to tell everyone: "A person is an idea, and if an idea is replaced by a person, it's like killing the person."
I can't agree more with this sentence.
Anyway, I can see that Xiao Li is tragic because of the idea of replacing his wife, and he has been trapped in remorse.
Even if the dead people see the "Little Li, don't do this" online activity on the Internet, even after seeing the subtitles, there will be a short paragraph to tell you whether Xiao Li has returned to reality.
However, it is estimated that Wanda Studios has been yelled at N times by people, and they obediently put the subtitles down, and put them on "Introduced by Chinese ** company", and there is no paragraph after the subtitles! ! ! ! ! !
The movie theater won't show it to you, just go back to the Internet and wait for the seeds of that segment!
Wake up, Azhai!
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