The most difficult part is not to add funny elements to the investigation, or vice versa, the difficulty lies in how to integrate the two organically without being separated or obtrusive. To Qifeng is really good at telling stories. In contrast, Wong Kar-wai (another favorite) is good at expressing stories. There is no difference between the two. They are both their own skills as directors.
The details are too wonderful, the echoes hidden in the wardrobe, the associations of the three areas of the head... This is the real climax, every time you think the movie has come to an end, only to find that the real climax has not come. How to precisely achieve this step by step, one layer to the next, is a superb skill. Other people's stories always make people feel that they are endless. This is an example of failure. To Qifeng's story makes people think, wow, the excitement continues, this is a successful case. The only downside this time is that I forgot the heroine's name after watching it.
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