1. Ryazanov set up many small plot conflicts, and the details of the reaction or satirized the social status quo at that time. The inherent family is difficult to rely on, but the suppressed real emotions are sparks with "passers-by" during the journey. I don't know if this is romance or sadness.
2. A middle-class pianist is in an accident and has good intentions but is betrayed by his wife, and he is also cynical when it comes to trivial matters; the same family at the bottom edge of the same family is unfortunate at first glance, but some sophisticated waiters gradually reveal their humanity.
3. I don't know why, although Pradon's wife is a complete supporting role, but seeing her bright on the screen, she is a treachery in secret, which reminds me of those "shes" in reality. Is there an embarrassing or even filthy backside?
4. The actors at that time acted really well. At the beginning of the first part of the end, Pradon went to the village hut, "stealed" the small details of the food at the dining table, and immediately brought a middle-class person into the era. The image of falling after "prison" is a three-pointer.
5. The voice of the heroine seems to be for Sister Feng.
6. Ending 2 After the long-awaited lingering of the two, Ryazanov did not forget to use his unique dramatic way to make fun of it. This serious humor is like a gentleman assembling socks of different colors. It is high-profile and colorful.
7. At the end of 3, the small details of Vera's car stop, Langzanov did not waste, still used the driver's first enthusiasm and then indifference to form a motive. It is true that every detail can give people a deep space for thinking. For example, here, do we want to kill the perpetrator and scoff at it? Or should there be mercy? Or should it be treated differently? Difference, how to distinguish? Is this indifference? Wait, it's thought provoking.
8. The last accordion at the end of 4, the design of this plot is really, the stroke of genius, it is extremely wonderful, this is called the script. In one shot, the male and female protagonists under the accordion sit opposite each other under the rising sun, leaning on each other. Although objectively, both of them are at the lowest point in their lives, but at this time the picture is full of hope and yearning for a better life. The captain also acted as the narrator at this time, smiling slightly.
Finally, from the perspective of the plot, the undercurrent is surging on the eve of the big storm, and all levels of society have been corroded and riddled with holes, just waiting to collapse in the ant's nest. However, the warmth of the masses has become more prominent and more precious under this bad weather. I think this is what Ryazanov wanted to express and advocate. Therefore, warmth and romance have never had anything to do with material things, and even more extreme love may burst out at the extremes of material things.
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