The most exciting part of the film is actually not the big scene of Dragon Quest at the end of the film. Because although the black dragon is strong enough in combat, it only has the value of props, and it is actually lifeless. In contrast, I think several groups of people who had misunderstandings, entanglements and contradictions in the film finally resolved the differences one by one. This is something that makes people feel more heartwarming than defeating the black dragon. For example, the wizard and the magician went from quarrelling to cooperation, the racial misunderstanding between Argeta and Bethcord finally returned to friendship, and the relationship between the little human hero Lambert and the elf archer Liya Play to fall in love. Under the huge worldview of the film, the recognition between these individuals across races is likely to eventually become the key to harmonious coexistence between races, but this is obviously a story to be told in the future.
Among all the lines, the ones that impressed me the most were the two sentences of the king who "played soy sauce": "why should such a thing happen when I was in power", and "the teacher must be in my name". This actually reflects some practical problems in the way of being an official in Chinese society. Where can the leader of the country dare to pat his chest and say that he has never had such an inner monologue? Afraid of accidents and making political achievements are their official philosophy. In that sense, I'm extremely outraged that the king in the film is stabbed to death by Bethcord, because it's not the "best" ending these kings should enjoy.
In fact, the film involves the topic of "Killing the King" here. No matter how incompetent and decadent the king is, monarchy is an unforgivable moral crime for the courtier, because you cannot justify betrayal. The film has the suspicion that Bethcord's slaughter of kings is trivial and trivial. When his kingslaughter is revealed, he only gets an understated question - "You killed the king?" Then, everyone reaches a consensus and acquiescence to this modality, which is obviously a simplification. Bethcord's final ending was only a response to the bond between him and Algeta, and there was no response to his monarchy. Should a warrior meet a foolish king, should he kill him quickly?
The film also used a lot of brush and ink to depict another "little person", that is, the blacksmith. I even thought that the blacksmith would bring Lambert's two dogs to the final battle, because in my opinion, it is the blacksmith who is really suitable for the role of "mentor". People came to him to strike iron, showing that he not only has skills, but also has recognized qualifications. He strikes the iron to the realm of "Tao", and this "Tao" can be transformed into other fields. In fact, it should be a strong heart that creates a powerful sword. This is the case with swords and swords. Lambert's final battle may be able to use this "dao".
The sword that Lambert took from the blacksmith should be the strongest sword that the blacksmith made with all his heart. Lambert has always longed for such a sword, although he did not have the strength to match such a sword at that time. . Why is this sword the strongest? What was the cost of building it? We would actually like to see a series of elaborations around this important prop. Even, it may be that the blacksmith saw the heroic potential of young Lambert and decided to exchange his life for this sword. In the film, the only attribute of this sword is Shen, and Lambert's use of the sword is only reflected on the superficial level from not being able to hold a sword to being able to hold a sword. The heart of protecting his lover that he finally realized should be more closely combined with this sword to be more exciting and moving!
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