The common problem of Japanese drama directors when they make movies still occurs. The overall narrative is neat, but the rhythm is too rigid. Doi Yutai’s fault also happened to Nishiya Hiroshi. Maybe Japanese drama directors just think that using a craftsman’s spirit to narrate is called making a movie. . The overall core is the same as "When the Prayer Ends", but it is very interesting that such a work involving human nature and love is actually placed in the Galileo series of works that must be verified by scientific methods, and can not be solved by equations and geometry, It is love itself.
It is rare to see this scene without formulas. Of course, for Galileo, it is not that he could not solve the answer without writing formulas. Mathematicians can naturally calculate the process in their minds without writing formulas. Physicists can use the thinking of mathematicians. Solve the answer, even if this answer can't make anyone happy... For Galileo, the most regrettable thing is to lose a genius, even a genius is troubled by love, willing to sacrifice everything for love, whether such love is worth it, I am afraid only Only the person involved and Keigo Higashino knew about it.
The way of using the corpse to play with the east and west is 10 years earlier than when the prayer ended. Although Keigo Higashino was seen to be eating his own money, he chose to hide the core of "When the prayer ended" with more suspicious cases. For the sacrifice of feeling good about myself, I also choose to tell it in a more convincing way. In a way, it is also a correction to the love that may not be convincing in this film, turning love into family affection, shaving off the cost When the prayer ends, it is undoubtedly better and more convincing "The Devotion of Suspect X", Shinichi Tsutsumi's performance is really good, although this love is a bit indifferent to me, but I also appreciate Keigo Higashino Such anti-typing presents Galileo
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