Xiangji Xuanzhi of the Briggs family

Alta 2022-04-24 07:01:24

How did I come up with Xiangji Xuanzhi?

In the middle of the film, little Raymond planted the pear seeds he brought back from the countryside in the small courtyard of Briggs' old house. In the final scene of the film, this small seed has grown into a pavilion like a roof. big tree.

"There is a loquat tree in the courtyard, which was planted by my wife in the year of her death, and now it is as tall as a roof."

Use a tree to entrust your thoughts, from east to west, nothing more than that.

Ethel had complained about blocking the sun at first, but in fact acquiesced to the tree that his son had planted and thrived in the garden.

"London Family" is a rather unpopular animation, especially like period dramas that are often played in our country, such as "Year After Year" and "Wang Gui and Anna".

The occupation of the Briggs couple is also a very representative British occupation, maid and milkman

Or we can use a more familiar movie as an analogy, some like the animated version of "The Thief of the Years", "The True Story of Old Hong Kong", "Golden Rooster"... It's strange, why do I always compare Hong Kong movies?

More than ten years ago, someone Huang once played the role of such a red seedling...

Hong Kong people are always willing to miss the past years, maybe it is related to the present melancholy. The reason for melancholy is that in the eyes of Hong Kong filmmakers, it is not because of the stagnation of economic development, but more because of the melancholy. Due to the decline of the former port-opening culture, the Internet has become increasingly developed, and the former port culture, which combines Chinese and Western cultures, has gradually been diluted and wiped out.

Xiangji Xuan, the old South Pavilion. The room is only abbot, which can accommodate one person. A century-old house, seepage of dust and mud, Yuze bets

The protagonists of the film, the Briggs and his wife, briefly introduced their encounter and love, and the stage of the story was quickly switched to a two-story building in Lambeth District, where they married, lived, had children, and greeted each other. The world changed until death, and lived here for the last 40 years of his life.

The second floor, with children's bedroom and garden, 25-year mortgage, a symbol of the middle class, it is worth mentioning that the Briggs family, who only has one milkman salary, can also support such a house.

In a small building, they have experienced the rise of Hitler, the bombing of London, the transfer of children, the raid of the V2 missile, the rise of the Labour Party, and Armstrong's giant leap for mankind.

The indoor air-raid room, advocated by the then Homeland Security Secretary Herbert Morrison, was a unique symbol of the era

In this small building, they also witnessed the emergence of gas stoves, the liberation of housewives by washing machines and automatic dry cleaners, televisions, home telephones, home cars and so on.

Even though the emergence of television has been described, we can see the evolution of television in the back

Family affairs, state affairs and world affairs revolve around this couple and this old house.

Mother knocked on the door with her finger and said, 'Is it cold? Craving? '

The whole story is the personal experience of the author and his parents, so in addition to telling the love of the old Briggs couple, their love for their son Raymond is also the highlight of the film.

The scenes of World War II are the highlight of the film. There is no background that can better reflect the strength of the family than being in the war. "Life is Beautiful", "The Breadwinner", "Jojo's Rabbit" and "1942" are all family-oriented

Ethel gave birth to a child at an advanced age. Although the overall style of the film is calm, it also makes the audience quite nervous in this part. In the delivery room, this anxiety can be transmitted to the audience through the screen, and the doctor's diagnosis that Ethel can't have another child when the doctor goes downstairs is quite bleak.

In fact, in the film, the doctor appears in the old house twice, the former represents the arrival of new life, while the latter heralds the withering of life.

As we can see in the film, as little Raymond grows up day by day, the position of the old Briggs in his life is also changing, from difficult births, separations in war, and growing pains , differences in career choice and study, opinions on the son's other half, etc., we can see the longing, love, pride, worry, rebellion, and complaints between parents and sons.

About 3 million children in WWII Britain were evacuated from the cities to the countryside

Children grow up, have their own family, and are far away from their parents. It is an inevitable distress for all parents.

But everything, everything shown in the film, in the slow piano at the end, all melted into a deep love.

It is worth mentioning that the soundtrack in this film is really rich and colorful, and it also fits the style of the times in the film, including blues, piano, rock and so on, as if it turned on the radio at that time.

In the next six years, my wife died and the house was not repaired.

I think the only tearful point in this film, which is also the intentional breaking point of the film, is when Ethel dies.

The style is still stable, and it can even be said to describe everything calmly, but the feelings accumulated before, at the moment when old Obst and little Raymond called, and when little Raymond choked on the phone, Tears welled up in my eyes.

Even if it's just a few sentences... When I write this paragraph, my eyes are red

It is because of every minute before that we have been brought into the lives of the old Briggs and substituted into our lives, and because of this, at this moment, more or less, we are born with the characters in the film. With empathy, joys, sorrows and sorrows are successfully linked together.

That moment was just heartbreaking.

After experiencing this moment, it made me more accepting of the death of old Obst a few minutes later. The animation is too vivid for the one of his death. The open mouth, the age spots and wrinkles on the face are all too vivid. Tell us about the passing of a life.

Death is not beautiful, but it is always the most attractive element in the film

I've been thinking, what is the purpose of a movie trying to portray the life of a person and a family?

What do you want the audience to gain?

It does not bring powerful audio-visual shocks, nor does it have the inversion brain-burning of a head-scratching drink, that is, it cannot refresh the eyes and entertain the brain.

So what is the selling point of this theme?

I think, for the domestic audience, it is a kind of empathy and curiosity. At this moment, the audience does not want to look at a family history, but brings into this family, we seem to be a part, we are anxiously looking forward to the next event in this family, we always want to live It's getting better and better, I don't want to admit it in my heart, life is always full of twists and turns, and we are always waiting for the sword of Damocles to fall in the film. On the other hand, our Chinese people know very little about the changes in British family and social life. In this film, we see things and history that we are not familiar with, which is also a kind of curiosity.

People always say that a family history is a history of the changes of the times, and it is not the historians who can feel the changes of the times the most, but ordinary people.

Although the film is presented with a bland narrative and plot, the advantage of animation over live-action films is that it can also attract audiences through artistic elements such as a more artistic style of painting and the author's painting style. . The film has a strong hand-painted watercolor style, but it can also be seen in the dynamic that the help of computer CG is remembered.

This film seems plain as water, but the shock after the end can be evaluated with the following words-

Hear the thunder in a silent place

View more about Ethel & Ernest reviews

Extended Reading

Ethel & Ernest quotes

  • Ethel Briggs: I could have married a deep-sea diver.

    Ernest Briggs: Well, why didn't ya?

    Ethel Briggs: Because I didn't love him.

  • [first lines]

    Raymond Briggs: [voice over] There was nothing extraordinary about my Mum and Dad, nothing dramatic, no divorce or anything, but they were my parents and I wanted to remember them by doing a picture book. It's a bit odd really, having a book about my parents up there in the best seller list among all the football heroes and cookbooks. They'd be proud of that, I suppose, or rather probably embarrassed too. I'd imagine they'd say, "It wasn't like that," or, "How can you talk about that?" Well, I have, and this is their story.