20171110 heroic character

Lottie 2022-04-22 07:01:53

The third film just borrowed the names of the first two films, so removing the "hero nature" and using another alias does not hinder it, but Chow Yun-fat can't be called Mark in the film. Can't turn around. What everyone wants to see is Pony's "resurrection", to see him take back what he lost, even though he dies every time.
The third film was made by Tsui Hark, who can make anything like his martial arts films. It's so tiring to watch. 1995's "The Knife" continued the film's tone.
The first part and the second part have no plot to speak of, just a little plot for the performance. What the audience expects is to kill a big meal, no matter how many shots are fired at a small minion, no matter whether they hit the enemy or not, Although the protagonist is like Superman, he never dies in a hail of bullets. But it's always going to die, and people can't keep watching Papapa, so it's the coolest scene at the end.
The plot in the first part of the third part is quite reasonable. I keep talking about it, but the plot in the latter part is gone, it is the same as "Knife". The whole film of "Knife" has a consistent look and feel, and this one makes people uncomfortable, like watching Papapa for nearly two hours. Anything with the same picture and sound in the whole movie is "Bah Bah".
Tsui Hark can really shoot parting, love between children, and MTV.

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Extended Reading
  • Stefan 2022-03-19 09:01:09

    All the meaning is in that "Song of the Sunset"

  • Romaine 2022-04-23 07:04:35

    This is how old Hong Kong films are. You just think it's too ordinary, then kill it with an old song and music, and then add points to the filter==

A Better Tomorrow III: Love and Death in Saigon quotes

  • Mark Gor: Nobody knows what tomorrow may bring.