1. "The True Color of Heroes 3: Song of the Sunset", personal rating: 3 stars. (Two stars for Sister Mei, one star for Brother Fa, three stars in total)
This is a bad movie, the plot is bad, the acting is bad, and the shooting techniques are bad. One of the few desirable things is that the film has turned into Anita Mui's personal fashion show and a personal show of turning into a female boss and playing handsome. Tsui Hark has more or less weakened the proportion of pony brother Chow Yun-fat being handsome in the film, while giving Sister Mei more opportunities to perform. This also became one of the few highlights in the film. The song of the sunset in the film appeared several times as the theme music, and the solo version of Sister Mei appeared mainly twice, once in the form of mv in the middle of the film, which made people wonder why such a sad music was blended with the happy and peaceful atmosphere. At the same time, some people say that it is the contrast between sound and picture, that is, the use of music to create a contrast with the picture, but in my opinion, this contrast is somewhat premature and the timing is wrong. And the sunset song that appears at the end of the film pushes the tragedy of the film to a climax, which is the charm of this song.
About the topic: This is a movie without a main line, what is it trying to express? You can also say that the director wants to express a lot, or you can say that he expresses nothing. Personal grudge? Sad love? The background of national hatred and family hatred and displacement? It can only be said that Tsui Hark did not do well in almost every aspect. It's not bad to want to express various themes, "The Beautiful Legend of Sicily" is a good example.
Shooting: omg, I thought I was watching a film made in the 1970s. I don’t know if the director deliberately made the lens outdated to express the unique era or the filming equipment was not strong enough and the funds were insufficient. In short, the picture of this film gives the impression that it is rough ~~This film gives people a strong sense of age. This sense of age is not the sense of age in the 1970s shown in the film, but after watching it, I feel that the filming time of this film has a sense of age~ You can compare " Rouge Buckle", which also shows the older era, and also uses old footage, but the sophistication of the rouge buckle is far from comparable to this film, but from the perspective of these two films~ Is this the difference between gay and straight men? Haha~
Plot: The biggest bug in this film is the plot~~ Tsui Hark wants to create a chaotic and turbulent Vietnamese worldview~ In fact, the shaping is okay, after all, they have Vietnamese blood~ But the actors are too facial, please ask the extras to be human too. Some cats and dogs are exaggerated and exaggerated. Leung Ka Fai's performance is actually a little restrained, but it just caters to the cowardice of his character. The character I want to kill the most in the whole movie is Tony Leung Ka Fai. He is the one who insists on making a deal with Sang Bang. He is also the one who shoots at random to reveal his position in the shootout. He yelled at his father before returning to China. It was also him. I was surprised that Zhou Yingjie didn't kill him after he escaped. . . The customs were completely demonized. All kinds of money transactions were robbed when they saw the money. When Brother Ma brought Liang Jiahui and his father back to China, the money was found and taken away by the customs. In order to show the violence of the customs, he even smashed his father's plaque. . . . Why a plaque. . . Why don't you focus on showing the lawlessness of customs when the US dollars are robbed or the boxes are turned over and the plaques are smashed to pieces. . . It's not scientific. . . I like the confrontation between Brother Fa and Sister Mei very much. The two have a feeling of "big brother to big sister" together. In the film, in order to express the love of the little brother, the naive "two brothers love a woman, the eldest brother quits" hard drama, which is slightly contrived in this film, the tension is obviously insufficient, and it is mere formality. He also came up with the old-fashioned trick of Xiao Ma taking a bunch of beauties and deliberately starting Zhou Yingjie. . . Why?~~ No need, no need. "Villain No. 1" (actually not a villain) when He Changqing appeared, he actually murdered Brother Ma and his gang because of his jealousy, and then Leung Ka Fai's father was killed, and then he began to take revenge. . . In the final analysis, it is still a drama of "beauty and disaster", and it is a little stingy under the big background. The big quarrel between Xiao Ma and Zhou Yingjie in Vietnam has also become a little far-fetched. The drama of falling in love with each other and killing each other is really abrupt in this film. In the final battle, it was far-fetched for He Changqing's subordinates to shoot Zhou Yingjie. Therefore, He Changqing gave his subordinates a shot. It was even more far-fetched. Before his death, his subordinates took a gun to stop Sangbang, but He Changqing thought that he was going to kill himself, so he shot his subordinates. , even more nonsensical, the movie is about to end, so are you all together? As a result, he was shot to death by Sangbang, and then Mu Xiaoma and He Changqing shook hands and hugged each other? Did you miss each other again? What is this reversal? I had known why today ~ Sang Bang ran away, and Leung Ka Fai chased after him. I thought Sang Bang was dead, but a bunch of Vietnamese soldiers appeared again. It was Leung Ka Fai's turn to run. Is this a comedy? ? ?
The summary is: this film tells the story of Zhou Yingjie's good white rich and beautiful boss who was inappropriate, and ended up being dragged to death by two diaosi
. Sunglasses with big brim hat white suit 45-degree glimpse 4. At a certain moment, the flower girl Zhou Yingjie pinned the flowers to her ear and flirted with Xiao Ma. 5. Zhou Yingjie and Liang Jiahui said goodbye, with messy long hair in the wind.
Similarities between Anita Mui and Zhou Yingjie: 1. They have the same temperament as a heroine in a female middle school, and they have the same temperament. 2. They also have the heart of a little woman. deeper than others.
Tucao: Watching Sister Mei act in a bed scene has a strong sense of repulsion. . This kind of rejection is not because as a fan, you don't want to see your idol being made out by others, but because when Anita Mui's contradictory temperament coexists between a queen and a little woman, it is difficult for you to find an actor to match her temperament and "serving" "Well she, that's the problem. When Sister Mei appeared in men's clothing (not like King Qi Xuan), the situation was much better~
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