The scenes and costumes are wonderful. The main families are distinguished by several colors and patterns, showing family characteristics and personalities. What's interesting is that the color system that the character wears is not static. The color system and pattern will change when meeting with friends, representing the family, or becoming a more core role in the family.
The details retain the key points of 19th-century costumes, and there are also several costume adaptations in response to the plot:
1. Underwear
At the beginning of the 18th century, clothing was mainly straight and loose. The underwear at that time was not created for shaping, and the laces did not need to be fastened. For example, the situation where Featherington's mother asks the maid to tighten the underwear tie for her daughter will not happen.
The emergence of body-sculpting underwear here, in addition to showing the urgent mentality of family mothers and daughters in the social season. Body-sculpting underwear also played a key element in the clips where Miss Thompson needed to marry out to avoid showing her figure during pregnancy.
2. Shirt
In addition, there are many erotic scenes in the play that require wearing and taking off costumes. It can be seen that both male and female roles are simplified in the shirt part for the convenience of putting on and taking off.
3. Male lead
As a rebellious prodigal son, the male protagonist’s beard, hat and open neckline are not in line with the situation at the time, but also in line with the set of characters in the play.
As for the plot, it’s probably a long time ago that the female protagonist has her own opinion, and what to do if you meet the male protagonist, you have to help me set up the character. Of course, the male protagonist is also a domineering duke who hates the world in his miserable childhood. He can sacrifice his life after encountering a female protagonist, but he will never open his mouth if he has misunderstandings.
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