In fact, it was because Lao Park watched it, because the plot required Mr. Park to become the stupid son of the landlord's family, but he still couldn't hide his defiant girl-sucking skills. Dirty all over, but still looks so affectionate.
"Hongmei, let's go home" I was shamefully teased off the screen. . .
Let's talk about movies.
Malice and compassion, hatred and love, can go hand in hand in the same person's heart. Dong-sik is probably the most entangled character in the movie. Justice or selfishness, everyone has a reputation in their hearts, and judge for themselves.
It may be that the dark side of my heart has revived, and this kind of movie is a blank sheet of paper for me. Putting aside the bloody and cruel case of throwing corpses into the sea, can the smugglers really get such great respect from the crew? I vaguely remember a similar book I read. In the 1980s and 1990s, there were a lot of people smuggled into the United States from Fujian and Guangdong, but people who take this road basically don’t need dignity. If you do anything to make them unpleasant, they will abuse and beat you, and brutally persecute them. However, it is also possible that the captain in the movie is the first time to do such a job, and his heart is still full of apprehension and pity. But once this pity encounters its own rise and fall, it becomes so insignificant. So what happened next is quite sad.
Lao Pu's performance in the play is still commendable, the simple and kind in the early stage, and the resolute and decisive in the later, the acting is quite similar. (I won't comment on acting anyway, it's fine in my opinion.)
Old actors do not judge.
In the end, the heroine left without looking back. That is a memory that cannot be recalled, so they can only forget each other in the rivers and lakes. . .
The movie can end here, so I don't quite understand the green pepper at the end. .
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