From the death of all the stowaways in the fish cabin, the whole drama began to become heavy and fragile - the bloody felling and violent battles did not stop, and the only surviving Hongmei faced being dismembered and thrown into the same compatriots at any time. The danger of the sea. Some people think that Hongmei is also full of scheming, because Hongmei's back and two children with her appear at the end of the film, and they think that she took advantage of Dongzhi. But I think Hongmei's grief and powerlessness as she hides behind watching her compatriots being thrown into the sea is profound, and I am more inclined to think that Hongmei doesn't want to recall those tragic scenes anymore, so she left Dongzhi. Because when I watched the second half, I kept thinking about how they would live face to face after they got out of danger. They were afraid that they would often have nightmares together, so let's hug and cry together. At the end of the scene on the beach, only Dongzhi was left. It turned out that Hongmei wrapped his arm and left. At that time, I felt that this is the beauty of the lack of regret in the art of film, which even more shows the tension of the film and leaves a reverie. In the end, the handling of the back is also good. If you don’t give the front, I will let you guess. If you think it’s like this, then it’s like this. If you think it’s like that, then it’s like that. Dongzhi, Hongmei, and Uncle Hu, they are the only ones who still maintain some enthusiasm. Although the captain has his helplessness, he is too indifferent, and it is meaningless to report to the end.
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