It is also a reality that Chinese people smuggled into South Korea and died on the way. What would it be like to shoot such a realistic story? The death was unexpected. The stowaways had basically no features, including the woman, who was also plain. The protagonist is still a Korean, and what happens after the death, the performance of the Korean crew, is the main body.
The captain is domineering, but cherishes the crew. The crew members have their own hobbies, but they all seem to be bachelors, and basically few have families. Surrounding a woman, scrambled and scrambled, swords, lights, swords and shadows. Whatever escaped in the end, I didn't feel it.
The feeling of taking pictures of Blind Mountain is just like the story of ordinary people, the character of ordinary people, the filming is a little colder, but there is always a feeling of being out of touch with the daily life of Koreans. . Some of these characters are too different, not ordinary fishermen. The whole story is told with too many artistic techniques, but not plain enough to tell the story like a documentary.
You can also shoot an artistic atmosphere, turning this smuggling trip into a reflection on death and responsibility. What if someone dies? The ship is going to die, what should I do? How these people face death, authority, love, and desire can be very extreme and beautiful, just like a dog bites a dog. The film oscillates between the two, doesn't have enough ambience, and looks a bit unsatisfying.
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