When the captain came home and saw his wife stealing, he was dumbfounded, treating the adulterer completely and cruelly on the ship. The wife has no guilt, but asks for money confidently. So the risk of smuggling was led to this.
One of the two crew members, who was not shy before, brought a bar girl on board because he had no money to open a house; the other, who had no money for a prostitute, found out that the girl was smuggled, and instantly turned into an animal, regardless of his life and death.
East value is undoubtedly the most sympathetic to the audience. I swore and tried my best to save the smuggled girl, but I woke up alone and looked at the footprints that were gone. . . Can not help but make people sigh: can live and die together, but not day and night. . . Years later, I met
the two children who had turned into married couples and didn't understand it at first, but I finally got a clue after seeing everyone's analysis. In fact, I dare not admit in my heart that Hongmei took the initiative to ask for a kiss and make love out of self-protection. Saying that Oppa is a "brother" is also self-protection. Leaving alone is because I don't trust the man beside me who saved me twice. can not imagine. However, there is indeed a gap in the ages of the two children. The one who stands out from the camera and the mother feeds the noodles is also a girl who is almost 6 years old. It should be Dongzhi's flesh and blood. But the little friend who was a few years younger by his side caused the sorrow of another man, no matter if this was the "Oba" in front of him or another man who was willing to protect him whom Hongmei met after being displaced.
The image of South Korean men has been subverted. All murders are for the sake of women. Although the theme is smuggling, the net reaction is the tragic situation of the bottom working people (six familiar words) in South Korea. The conditions of the bottom working people in any country are the same---they are all suppressed by the sea fog.
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