After watching "White Snake: The Origin", I just want to make a call for it. If you ask the level of this film, "The Return of the Great Sage" can be compared with it. The overall level is not under "The Return of the Great Sage", the only difference is "The Return of the Great Sage" The ending of "The Return of the Great Sage" is very burning, and the ending of "White Snake: Origin" is very sad, and I am afraid it will affect its box office. "The Return of the Great Sage" is about Jiang Liu'er's past life, and "White Snake: Origin" is about Xu Xian's past life. Under the circumstance that the adaptation of popular IPs in the present life is more and more difficult to please the audience, there are signs that the film and television circles are turning their attention to the past life. , after all, without the fetters of the present life, the screenwriter can write the screenplay as he wants in the previous life. Speaking of the film itself, a little bit of unsmoothness does not affect the glittering advantages of the whole film. The picture is already flawless, whether it is the background or the characters. At the beginning, Bai Niangzi's practice went crazy, and the oriental artistic conception can't be added. At the end, Hangzhou West Lake The smoke curling around is the flowing ink painting, especially the female protagonist Xiaobai, whether it is in human form or in the form of a snake tail, even in the form of the ultimate giant python, it is very beautiful. The world of animation finally shows the oriental classical beauty of Danfengyan, no The West will monopolize the right to interpret small eyes again.
After watching the whole thing, I still feel unfinished. The 90 minutes is too short, causing the emotional line in the early stage to jump a little faster, and the foreshadowing is not enough. According to the development of the plot, they must love each other, but their love is too love for love and love for the plot. And love, if we learn from Mr. Jin Yong's "The Condor Heroes" in the early stage of the love between Yang Guo and Xiaolongnu, the two sides will not trigger it. This kind of processing is more natural. In the later stage, the two bosses of the villains and the big reversal of the villain BOSS, Xu Xuan and Xiaobai's life and death are separated, and the climax is wave after wave, which can not help but be moved, if the background characters Guo Shi and Snake Mother have some plots Involvement and confession, the final decisive battle can take it to a higher level. This is an adult animation. In the middle, Xu Xuan woke up in Baoqingfang using his essence for a demon. He glanced at his pants and sighed. Very embarrassing, the two young ladies in front both laughed out loud. The character setting of the film is also very adult, especially at the beginning, Bai Niangzi and Xiaoqing bathing together are clearly the shadow of Tsui Hark's "Green Snake", and there are also some hints of lily in the relationship between the characters, including the mid-term Buddhist pagoda underground palace "rolling the sheets". "The plot, although it is an animation, the picture is very fragrant, and the human-faced fox in Baoqingfang is too enchanting. It is indeed a fox spirit, and it is really not suitable for children to watch. There are so many things that make people's eyes shine, the background is borrowed from "Snake Catcher's Story", the setting of Baoqingfang, the combination of Chinese painting background and national style music, the martial arts tricks are brilliant, and even the apron is a piece of The Chinese pastoral dog...the advantages are countless. The theme of the movie can be summed up as follows: all past lives are for this life, all this life is for past lives, it is really abusive! The film is rated 100 points, which is a highly recommended level, and it is necessary to brush it for the second time.
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