Pretty, but not pretty. The picture is beautiful, I can't wait to take a screenshot of each frame, but unfortunately, the most important thing in a story is not the pages that carry the ink, not the gorgeous decoration, but the wonderful story itself.
I don't know what to do, and I think it's the main theme of this story. . . But with all due respect, doing it this way is too inexplicable. In the first 30 minutes, the hero and heroine seem to be mindless and unhappy. . . . . . One is too cynical, the other is too bitter and hatred, the love is too steep, there is no transition, and it goes straight to the theme, revealing a feeling of predestination. . . , very hard, very hard.
Secondly, the portrayal of the villain is still weak. Although this is a common problem in many blockbusters, good-looking films often require a villain with high emotional intelligence to promote the plot, and there are several supporting characters with high emotional intelligence to deepen the inner growth of the protagonist. . . The audience can see the same self in different places. Unfortunately, White Snake could not do it.
Domestic production is progressing, we agree, so we bought movie tickets. . . However, the increasingly weak plot is a pity for the technical efforts and expenses. . . I hope that more producers will find their way back, special effects ≠ good-looking, hard work ≠ reward. . . Chasing light, chasing dreams, unfortunately, sigh.
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