Chinese-style animations have been blowing for several years.
This one is really the best. At first, I was attracted by several original painting clips, which made me look forward to Big Fish and Begonia for many, many years. However, the final story is really unsatisfactory. It can only be said to be a morbid and hypocritical, and the eyes of bean friends are sharp. The other highly popular Chinese comic, The Return of the Great Sage, was too much touted. In fact, it was rather disappointing, too Hollywood, and lacked personality and characteristics. It can only be said to be a good start.
The story of the origin of the white snake is actually smaller and simpler, but it does not prevent it from grabbing the hearts of the audience at all times. The characters are so distinctive that the supporting characters are so brilliant that they scream, especially the belly pocket and the fox spirit. to no avail. To be able to tell such a small story so thoroughly and beautifully, this is no longer the rise of Guoman, but the take-off of Chinese animation. The success of White Snake can be said to be a sign of the maturity, refinement and specialization of Chinese animation.
However, there was a moment when I was completely moved even when I was soberly aware that this was a successful commercial animation, and that was the climax of the film and the moment when Ah Xuan's soul was dissipated.
Everyone has beautiful things and memories, and they have worked so hard to protect them, and these efforts often cannot escape the final blow of fragmentation. At that moment, everyone can hear the sound of the purest things in their hearts shattering. The clip of that moment sublimated the film, and the art finally released the most beautiful, precious and most fragile things in everyone's heart in reality, and let people feel it by themselves. That moment was both painful and beautiful.
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