go in a boat

The lines, costumes, and styling are all excellent. The lines are what I find particularly interesting, "I owe you the fragrance of decapitation in my past life, and I will repay the debt for your life in this life" Stop, stop, I, Liang Sulan, can only thank Guilong Wharf, hold the girl in my arms, and bear the injustice on my head. Nanjing sued, Beijing shouted' "I like a lot of common sayings and slang words, and there are also cultures such as Pao Ge, which I am very new to (Interlude: It turns out that you can cut the sugar cane with a knife without paying for it! It's very fun). The characters are very distinct and live Guanyin. It is indeed a living Guanyin, and his appearance is also very delicate. The face-changing king was also a kind person in that era, and he was afraid that the female baby would starve to death. Although the living Bodhisattva is sought after by people, the status of the actor cannot be erased in the hearts of the dignitaries. The face-changing king lives in I have never seen one on the boat, and there is a monkey named General that carries him. He is very human and recognizes his master. This reminds me of the monkey jugglers I have seen before. But now there are fewer and fewer of them. It's a pity for me. I don't know if this is becoming more and more standardized, or it has gradually declined, or it has become a form of performance instead of art.
The face-changing king said that it is passed on from the inside but not from the outside, and it is passed on from male to female. It's not just his family. I remember that many craftsmanship was like this in traditional Chinese society, and it's the same now. By the way, here is a paragraph that the face-changing king went to buy children. In that era, there were so many people who only wanted to eat and survive. , the market in the film is full of people with grass on their heads. It was not uncommon in the past, but when I saw such a scene, I couldn’t help but feel a little bit. It’s my own family, so I don’t think I’ve broken this rule. But it’s really broken to pass on men and not women. I don’t know if this is a manifestation of preference for sons over women, or if I think my daughters will want to do it in the future. That's why I always have this idea when I get married and can't keep it, and the dog baby finally tried his best to save the face-changing king to get his change of heart. This is not just a simple decision, but I always feel that it represents Something like a breakthrough.
Before I watched the film, I always thought it was one story and only told stories about changing faces, but I didn’t expect that I had actually changed faces four times. At the beginning, I appeared once with Huo Guanyin, and once when the dog came here, I was performing on the street with the dog. At the time, I performed once for the official, and finally performed once with the dog and the dog. The facial expression of the face-changing king when he changes his face is really vivid with the mask. I saw a face change in Chengdu during the summer vacation. At that time, it felt more majestic and rhythmic, but less integrated with the characters represented by the mask. The film revolves around the story of the face-changing king, which makes me feel very novel and like it, not just about face-changing, but more about the face-changing person and the surrounding environment.
Most of the background sounds are dialogue sounds, and there are very few soundtracks. It feels very real and emotional to me, and does not need the foil of the soundtrack. The practice of writing a film review was too hasty, and many of my favorite lines did not have screenshots left, and there were also many feelings that were very subtle and I didn’t know how to describe them in words. In general, I still like this movie quite a bit. It's light and doesn't overemphasize the art itself. Real life is the art itself.

View more about The King of Masks reviews