From the beginning to the end of the film, there is a double reflection of speculation, the mother who kills her son for love, and the son who keeps her mother's life for love. For the audience, hate and love are also the contradictions of this film's comparison. It is difficult to enter the same quality of hate (such marginal abandonment). In other words, the audience will feel uneasy and fearful without similar experience; How to infect the audience with enough empathic emotional concentration is indeed the bottleneck faced by "Witch Silk" in the framework of a drama film that is closer to scientific suspense than supernatural.
Yoshiharu Hashimoto, a genius scientist played by Yosuke Eguchi, has the task of revealing it in one sentence. How do you know that it is better to live than to die? In a world where death can maintain the spirit and spirit, there is no diabetes, no responsibility and even desires have disappeared. How wonderful. Unfortunately, the survival time of the human spiritual body is too short (Su Yuan's death purpose seems to include clarifying this point). The director's ability to tell the story with the camera lens is still accurate, and try not to decorate the redundant blanks, so that "Witch Silk" can continue to maintain a compact state. Ye Qidong and Chen Yoshi's rivalry was also quite brilliant. After Su Yuan was killed, not being able to look the little boy in the eyes became a ban on the scene. Before Chen Yoshi was about to jump off the building by inertia, he glanced in the direction of Ye Qidong. Personally, he liked that subjective shot very much, which made the audience have a double illusion (look at me? Look at Ye Qidong?), which in turn created a three-way mutual sense of vision.
The title of the film "Silk" also bears a very important metaphorical connection. The silk connecting Zheng Chun (played by Wan Fang) and Chen Yoshi is a family relationship, while the deceased who pass through other surprised faces become hateful killings. This feeling is very similar to the relationship between the so-called red line and marriage. After concretizing such a deeply rooted concept, Meng Jie's scientific theory is not as tense as the two-way extension of a bewitching thread. However, in the case of taking into account the supernatural, thriller, love, family affection and life, this film seems too stable. Compared with other members of the scientific team who are almost reduced to decoration, Yosuke Eguchi's performance is timely and to the point. , many mysterious factors of this character are very suitable, the physical disability, the obsession with counting hatred are all sketching a person who wants to die
with hatred, and he finally uses a smiling blade to draw a fatal tribute from his throat , In the end, Ye Qidong said lightly to the mobile phone that no one was facing the other side, in fact, it was all because of love. Such a far-fetched explanation made the lunatic watching the show not knowing whether to show the smile of death or the anger of survival.
Hashimoto Ryoharu died in his own imagination, even if he was mocking, he was genuine.
Note: Compared with the flesh-and-blood "Three Watches' Homecoming" written by Su Zhaobin, there is really something less emotional in "Witch Silk".
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