·I probably watched the DVD of the 3rd area, and there should be a lot of shots missing. For example, I haven't seen the passionate drama of Yosuke Eguchi, which has been hung in the slogan, so if the version is short and short, I will write it down. If you write some ignorant words, please point out that it is okay to criticize severely.
·I envy my female classmates and individual male classmates, because they can at least rate a horror movie based on how frightened they are, and I sometimes even laugh when I watch horror movies, because those scenes are really funny. Woosi is no exception. He doesn't have the terrifying power to scare people, and he still doesn't get my love.
· I like the individual passages and designs, but none of them are scary. For example, I like the large part of Zhang Zhen's tracking of the child. It is quite tense and suspenseful. The director did not skimp on the sets and shots. The big scenes and beautiful shots are not used less often, unlike many Taiwanese movies and series. Street scene, and the final climax of Zhang Zhen's design of shooting children is also full of drama, especially the design of hitting female students is very effective, and the small space is suddenly full of disturbing elements, a bit like To Qifeng and Quentin. Also, the character of Zhang Zhen is adequately laid out. There is no nonsense, and he is headed by a kid. He has plenty of scenes with his mother and girlfriend in the hospital. The director's camera cuts are very slow, and he has a literary character The sense of design, these have taken a lot of basic points for the establishment of the emotional tone of the film.
Of course, some nonsensical things are also quite speechless. For example, the inconsistency of lines in the film makes people feel very funny. Zhang Zhen speaks Japanese as soon as he comes and thinks that he is diligent in his studies, but he talks to Da S, these two purebred Chinese people It's really hard to explain in Japanese. The director's pointless reference to the security treaty in the film and the use of "Taiwanese" in Hemei's archives are all to be sweated. The part where the sniper shoots ghosts is purely for being handsome, but the performance of the actors is not compromised.
·As for other things, I think it's a bit too much to use emotion as a fuss in horror movies, and most of the time emotions are a bit cliché, especially in horror movies in Asia in recent years, which is a little bit repulsive psychologically. Fortunately, Moose's emotional drama was not out of control, and he never forgot to serve the suspense of the film at any time. It won't be particularly abrupt until the mystery is revealed at the end, but Zhang Zhen said to Hashimoto on the phone at the end, "I'm going to go." Happy life, goodbye, kinda stupid, and I don't know how that phone got through.
·Lin Jiaxin, who I like, played a role in the film with flowers all over his body. It was heartbreaking, not even as strong as the role of the big S. He just made a cameo, alas, what a pity.
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