The work directed by Wu Tianming has a very simple plot. The face-changing old man Wang has stunts, but he adheres to the principle of "only pass on men and not women". Although the dog who was abducted and sold several times was a daughter, she was both gentle and virtuous, diligent and sensible, as well as a man's gratitude and repayment, perseverance and perseverance. Mr. Guanyin Liang is also worthy of attention. The artists on the opera stage have a rare righteousness and clean bones, and the persistence in skills shared by the two face-changing kings perfectly interprets the responsibility and identity of traditional artists. However, everything changed after Goudaner sacrificed his life to rescue his grandfather. At the moment of life and death, the face-changing king finally understood that the child in front of him was a god-given grandson. Perhaps the so-called concept was just a paper shackle, and the shackles of thinking could have been easily broken free , but it is difficult for those who are in it to see that its essence is thin paper, and it is doomed to have many troubles.
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