It is said that the actor is ruthless, and the bⅰαo child is meaningless. This is not the case in this film, the actors can also be very affectionate and righteous.
At the beginning, the living Guanyin was only appreciating his unique skills for the face-changing king. If you want to pull him into the team, you can only have no choice but to know that he doesn't want to join the team. The face-changing king should be the one who moved the living Guanyin.
"I'm just an actor, I'm still a dank, I can only be considered half a man." At that time, the social status of buskers was low, and they were classified as three religions and nine streams. It can be said that they had no social status, but Pao Ge was different. So when I heard a sentence of Brother Pao, Living Guanyin gave birth to a feeling of sympathy!
In the end, Gouwa came to the door and begged him to save the face-changing king. At first, he was helpless, lamenting that he was just an actor, and he was powerless. He told Gouwa to give up and let it be. But when the dog cut the rope and jumped down, he ran forward without hesitation to save the dog. The last sentence, from now on, I will sue until I rescue him. The teacher then agreed.
In fact, the word being affectionate and righteous does not distinguish between high and low, anyone can be affectionate and righteous, it just depends on the nature of the person.
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