All about 1942

Davon 2022-04-24 07:01:24

When the time is close to the end of the world, watching a movie that reminisces about the real end of the world, will there be a feeling of two echoes?
In Tibetan Buddhism, it is said that life itself is one of the eight sufferings, that is, life is suffering.
This is probably the most profound in the years of famine.
For example, "Ta Kung Pao" described the 42-year famine in Henan, saying that a certain family and the whole family took poison, and the neighbors did not come to help, saying, "It's better to die and suffer less."

Liu Zhenyun's original works have many characters and complicated lines, so that in pursuit of perfect restoration , the adaptation of the film paused several times.
At the moment when you are used to consuming movies, the audience can't stand your perfect beauty. Just like the "White Deer Plain" that I was looking forward to, maybe because of politics, because of electronic inspection, you have to give up your great composition and become depraved. For this, we can only look forward to the director's version in the future, a few years later.
In terms of how much or how much power he was dying, Feng Xiaogang at least managed to impress the audience. At least the people around me were in tears.
The most fearful thing for storytellers is that they want to say everything. Feng Xiaogang also made this mistake. The entry of religion is a bit redundant. It is entirely to let two foreigners with high nose bridges join in, and then open up the so-called international market.

In this film, I admire Li Xuejian the most. I think he is very suitable for the actor. See you later.
There is also a line from Jiang Gong, saying: I sometimes miss the period of the Northern Expedition very much.
If you look at this in the context of the times, there are thousands of words that cannot be said after a sentence.
The Girl Scout chess player also handled it very well. When Jiang Gong praised her deceased father, her face was firm, but the tears couldn't stop falling, which made me almost cry.

I am also a descendant of the fugitives. My great-grandfather begged for food and was born in pot repairing. When things got better, when he saw people begging from south to north, he always wanted to help, because he knew how hard it was. When I was a kid, I saw people who were begging, and they were really begging. He probably came from Linxian in the 1990s. He also suffered from drought and was ragged. He sat on the threshold and asked to get something to eat. The family gave thick rice and a few dollars. After that, I probably never saw anyone who really escaped from the famine.

When I was a junior or senior, one winter night, I was eating beef fried rice at Yunling Rice Noodles outside the north gate of the school. There was an old beggar outside the window, his shadow shaking like a dead leaf through the glass. That kind of night, whether it's begging for money or begging for food, it's always a real embarrassment. The Yunnan owner of the restaurant took the money and went out to let him go. I could have let him in for a hot soup, but I didn't. This matter has been stuck in my throat for many years.

When watching the movie, there are many people from Henan, probably because they are used to Feng Xiaogang's usual comedy style, they can laugh out loud at any time. For the plot of the movie, their previous generation or the previous generation empathized, but they have been numb.

But more than they are numb? Politicians have their difficulties, but the numbness to life may be what this film wants to express most. On the road to escape, the dead people always cry at the beginning, then they complain, then they are slightly moved, and then they are numb. The calmness when selling sons and vends, officials and profiteers slander the hungry people, drive the hungry people like cattle... From everyone, every family, to our country and our people.

It is said that some people interviewed Japanese youth on the streets in the late World War II and asked, the country is about to die, are you willing to die for the country? The young man replied, if this country wants you to die for it, then let him die.

It is not necessary to say these, and it is not necessary to say that
when every living life in this country is respected and cherished, this country is truly prosperous and strong.

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