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's knife-like wind blew the cars and people on the street, and the gilded prosperity shivered in the late winter dusk. Although it is another season in the luxury theater chain, it still can't change this tragicomedy: the boys and girls in the sofa chairs watch the bloody pictures in "1942", and they don't forget to make fun of them .
"Ni, call me Lord", "Go!"
Their hearts were strong enough that they really thought it was a New Year's film.
Seventy years have passed, how much has human nature evolved? When the blind deer was slapped into a boiling big iron pot by his own people and died like a donkey, I heard the screams of sorrow in my chest. When they needed it, they would still eat people.
Before buying the tickets, I just thought that this must be a blockbuster that conforms to the main theme of nationalism, a common film and television story that took place in the War of Resistance Against Japanese Aggression, a black and white historical view that underestimates people's IQ.
But the narrators of the story are not simple. They not only aimed at the refugees who were suffering all the way west, but also at those in power who stood under the banner of nationalism, their indifference, incompetence, corruption and authoritarian character. How big is the proportion of this catastrophe?
On the way home, I thought of a sentence: All history is contemporary history.
When I woke up in the middle of the night, I recalled the simple and honest smile of Lao Ma, the cook and judge of the Ninth War District Circuit Court, "Hot!" After several years of ups and downs in malicious lawsuits, I have seen pictures that are more like Lao Ma. The face of the law is also suddenly - the judge is also an official! In the war, the three liters of white noodles are more convincing than the law than the facts, but after all, the three liters of white noodles cannot change a person's fate in a disordered society. Under the defense of Sansheng Baimian, Lao Ma released Changgong Shuanzhu. In the end, Shuanzhu died in front of his eyes.
There is a type of movie that is not destined to entertain the public, but does the public know that they are watching a tragedy and are they prepared to accept a historical tragedy? History is not dead, it is still alive in the sore spot of today's people. For the first time, I have a respect for Comrade Feng Xiaogang.
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