Burning, gorgeous, dynamic, sharp, middle two, tension, exaggeration, imagination, strong style, can draw girls (especially JK), love for mecha.
There's more to the Trigger Club than that.
The animations of the Trigger Club have more or less unique properties of radio waves. The audience is very tolerant of the plot of the Trigger Club's works and does not care about the rationality of some details. Its works can easily mobilize your emotions, making you excited, excited, laughing, and crying in front of the screen.
But these are based on a plausible story. You can say that Trigger Club's works are old-fashioned and loopy, but its works are very good in handling characters and relationships, and the plot radio waves can be very consistent with the behavior of the characters. logic. If the relationship between the characters and the characters is not handled properly, it is impossible to successfully mobilize the emotions of the audience.
For example, in "Tianyuan Breakthrough" (it is true that it is a G company, but the main creative team left to set up a trigger company), Simon's heart is handled very delicately, and Kamina's sun-like personality charm brings Simon to grow little by little, as long as it is an individual Will love Kamina. This caused no matter who it was, when they saw Kamina's death for the first time, the second time, and the third time, they would collapse and cry, and they couldn't accept this fact for a while.
In "Double Cut Girl", the most successful design among many characters is the stitch seam. It only takes one episode to make the audience go from thinking "this character is so cute" to "hate it so much, when will she die". She is the kind of person who "just likes the way you can't stand me and can't kill me". By the end, as long as she saw her frown slightly, the audience would feel very happy.
I don't dislike old-fashioned stories. Hollywood commercial movie stories are very old-fashioned, but there are always excellent movies. The key is how to tell an old-fashioned story well.
In "Promea", the handling of the characters is substandard, and it can even be said to be very bad. The worst part is the big villain Guray and the relationship between Gallo and Guray.
The portrayal of Gu Lei in the movie is really too little, and there is not enough foreshadowing. All the despicableness and tiredness of Gu Lei are only superficial. We can only understand his achievements and status in Prome City from the simple dialogues of several other characters, and the audience does not know much about his actions before blackening.
In the handling of the relationship between Gu Lei and Gallo, the audience just understands that Gu Lei saved Gallo, and Gallo respects Gu Lei very much because of this matter.
But the audience doesn't know what the past of the two is like.
In the later plot, it was explained that Gu Lei hated Gallo very much, and tried every means to keep Gallo away from him.
Such a turning point is because the handling of the relationship between the two was not sufficient in the early stage, so that Gu Lei's actions towards Gallo were not even betrayal and deception. According to the pale plot in the early stage and Gu Lei's performance, the relationship between the two is a hot stick, but Gallo's wishful thinking.
If that's the case, why did Gallo show Guray the secret of building a ship to leave Earth? If it wasn't for the mutual trust between the two, or if Gallo had some qualities that Gu Lei valued, Gu Lei had no obligation to let Gallo know the truth of the matter, and even this was not necessary. As long as Gallo came to find him, he would perfunctory with two righteous and dignified words. Wouldn't it be nice if Gallo kept digging the bull's-eye and then locked him up and reflected on it? How about telling an ordinary member of the mobile rescue fire brigade a secret that is enough to cause chaos in the world? You know, Aina and Alice sisters have such a close relationship that Alice did not tell Aina this secret.
In the film, a lot of ink was spent to render the story of Gallo and Leo, and it was too focused on the description of the relationship between the two, making all the other supporting roles completely become tools with few shots. Even the details of Aina's affection for Gallo in the early days were not even mentioned at the end.
In "Tianyuan Breakthrough", in the middle of the plot (15 episodes), Simon defeated the Spiral King in a battle similar to the finale. In "Double Cut Girl", such a battle similar to the finale was directly placed in the third episode, with Liuzi and Guilongyuan. The Satsuki battle is too much like the finale.
A similar scene is pushed directly to the opening of the movie in "Promea", the first battle between Gallo and Leo has advantages and disadvantages, and finally Gallo arrests Leo in coordination with his teammates.
When the audience had higher expectations for the ending after watching the opening, they found that the opening part turned out to be the best place to watch the whole play. At the beginning, it showed the cooperation that the mobile rescue and fire brigade was proud of, and just disappeared from the movie.
Whether it is the final doll-style fight of "Tianyuan Breakthrough", or the final fight against Guilongyuan Luo Xiao in "Double Cut Girl". The scale between the protagonist and the supporting roles is very appropriate. It is everyone who saved the entire universe together. The efforts of the protagonist and the supporting roles made the audience's heart beat faster and the corners of the eyes moist at the last moment.
And in "Promea", too much focus on the description of the two protagonists, but also let Gallo give Leo a more like a kiss artificial respiration. I know that this will make some audiences feel very excited, but focusing on the sugar, the supporting characters and the villains have not been further portrayed, which makes the middle and later stages of the film seem a bit boring and makes people sleepy.
It's not because it's a movie, it's not because it can't tell a good story in just 100 minutes. Episodes have the storytelling style of episodes, and movies have the storytelling style of movies. The problem with it is that the story is more complicated, and there are too many dispensable bridges, which squeezes the time to tell the story.
And the battles are also very long, but so what? Trigger Club animations don't watch battles, it's just as stupid as watching gross movies and only watching the plot.
"Dragon Ball Super: Broly" has been playing for more than 40 minutes and has not stopped at all, but its plot is complete. Because the plot of this movie is very simple, all audiences know what the characters in "Dragon Ball" look like, and they don't need to be rendered with too much brush and ink.
A plot like "Promea" is unqualified for Trigger Club. People who like Trigger Club will madly blow Trigger Club's paintings, but Trigger Club really thinks that as long as the picture is outstanding, it can torture the audience's IQ in the plot, which is a bit undesirable.
But I didn't expect to see Trigger Club's works appearing on the domestic big screen in my lifetime. As a not very qualified Trigger Club fan, the various bridges in "Promea" are full of Strong Trigger Smell: Ina's funny posture and perspective when flying the plane, the animation of Gallo transforming into armor at the beginning of the movie, the drill, and the ending must go to space. When seeing these, any Trigger Club fans can Experience the joy that ordinary audiences cannot experience.
The battle screen is as good as ever, with rich and unique colors, which clearly shows the Trigger Club's pursuit of painting.
This is enough for me.
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