To be honest, Promea's plot is not easy to interpret, not because it is too complicated and difficult to interpret. On the contrary, the plot written by Kazuki Nakajima in it is not good enough in terms of tension or intensification of contradictions. Personally, it feels like shit. This feeling (grass) that I didn't pull it out halfway. But the story is still a good story, at least it can justify itself, albeit a little forcibly. Compared with Mr. Nakajima's previous works, the script is relatively simple. At the beginning, a positive and negative opposition is set up, each character is clearly explained and the worldview is spread out, and the foreshadowing of the reversal is buried in the progress of the plot (for example, after Lio is caught. The current situation in the domain, deliberately not explaining how Kray rescued Galo, etc.), recover the previous foreshadowing in the mid-term, re-complete the world view, explain the real boss, and finally recover the foreshadowing that was frozen several meters and could not be dug out, and then give The protagonist's burning earth plus rationality. In general, this script feels a bit stereotyped (after all, no matter how strong Mr. Nakajima is, it is impossible to sketch a script that is less than two hours old and can be used for people to explore the depth of the work), but the stereotype is a pattern, and finally The finished product is quite excellent. Because it has a simple and easy-to-read plot, plus excellent painting, cutting-edge art style, and excellent music. This popcorn movie out of Karma has an extremely good degree of completion and an explosion of painting. The fighting card of lio and galo by Kasumi Hori (the card I remember is the beginning of lio whipping galo with a whip), and Lio drawn by Sato Toshiyuki in the volcano The part where the mouth is transformed, Nishikori brother's drill that smashed everything and the famous scene of artificial respiration, etc., and I like Ji Chengyao's g club the most (now seen in Tianyuan's breakthrough theater version of the full combination) And dragons that burn all over the universe, etc., Promea is definitely a carnival for animation fans (whoever loves to be a pig, I am not anyway), but I think even ordinary audiences can be shocked by such a powerful picture performance. Of course, there are still invincible selling feelings in it. The Easter eggs that klk and Tianyuan broke through are buried quite well, and they also play quite a lot of seiyuu stalks. For example, the seiyuu of the two sisters are Tangliuzi and Guilongyuan in klk. Satsuki's seiyuu (Kao Ge. jpg) and the Press of the Little Witch Academy. But if you can read it several times, you may see a lot of details, and if you read it with a learning attitude, you may be able to learn a lot. After all, the details of the storyboards, the very tense composition, the more exaggerated the deformation of the human body when moving, the details of everyone's color matching, the strange changes to sunlight and other scene details, countless high-rise buildings, you often look up The sense of oppression formed by the shooting and the final razing of the building, from order to chaos, from rationality to interest, from house arrest to wildness to burning souls, Promea is definitely a rare and excellent animated film. I think the audio-visual language expressed is the best in animation movies. This movie is not only a carnival for animation lovers, but also the beginning of ordinary people who love to break away from Karma. But in any case, remember: My flame is to burn the whole planet, my drill is to break through the whole universe, and my scissors are to cut through the whole world. If I have the opportunity, I may add some content (because I can't finish it at all), of course, there may be some problems in this short review. If possible, please kindly point out the problems. Finally, thanks for reading. ?
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