Brief comment

Lessie 2022-09-30 04:56:19

A movie that has been lying in my list for a long time, I haven’t watched it, and then it actually appeared on the screen. I made a lot of money. It happened that I hadn’t watched a movie for a long time. I watched three movies in the cinema in one go, which was really cool. Speaking of the movie, his entire painting style is very amazing. This kind of 3D modeling and color block flat painting scene is rare in Japanese animation, very novel, and well combined, largely avoided. Some of the disadvantages of the three renderings in the original Japanese comics, such as the sameness of the scene, the coordination with the characters, etc., the unity of the picture is very high, especially when it is matched with large-scale camera movements, it is very smooth. Looking pleasing. The purity of the whole film is also very high, very gorgeous and pure. Also, the city and ice are relatively square geometric bodies, with a blue tone as a whole, while the volcano and the fire of the Burning Race are irregular in shape, with red tones, red and blue. The color contrast and this shape contrast strengthen the sense of camp opposition, and it is also very clear visually. Because the fighting scene is fast and gorgeous, the director is trying to make it as clear as possible when dealing with other visual languages. The amount of work and thought involved should not be underestimated so that his information volume can be better interpreted. In the first fight scene, the use of the detachable accessory armor is really great and handsome. The lines that the male protagonist shouted are very interesting like those in Noh drama (maybe not this one), this kind of protracted feeling forms an interesting contrast with the fast-paced battle, forming a unique speed The rhythm contrast and the sense of humor are also reflected in the fire-fighting flag. The advanced futuristic city and the giant robot are fighting with a flag that is not a weapon, and the shape is very unique. Let me mention another detail I observed. The film also uses height contrast very cleverly. The towering city and huge buildings all provide a vast height space. There is the first Burning Human Race. As villains, they are always located at high altitudes, while the male protagonist who represents justice has always been on the ground at low altitudes. When the male protagonist goes to put out the fire, they are also fired upwards. The height difference here It also reflects a kind of camp opposition, which is actually shown in Gong Lao's "Princess Mononoke". The mountain is the world of gods, and the ground is the world of people. As the Burning Humans came to the ground, their villain identities were also disintegrated and changed. However, in the final decisive battle, this high trend reversed. The villain, the administrator and his party tried to go up and leave the earth, while the protagonist and his party wanted the spacecraft to return to the ground, which was going down, especially the male protagonist took a drill to rescue When Leo was shooting downwards, it also represented this downward trend. After talking about the picture, let's talk about him

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