The beginning of the movie is very amazing, squeezed in the reinforced forest and busy with urban people, crushed by work and crushed by family members, in the silent and anxious music, flames suddenly erupted at the critical point, and it is very clear at the moment that it is writing about modern people This is the anger at the fucking life! ! Gan!
When lio fought for the first time, his helmet was smashed, revealing a small half of his beautiful face. I laughed wildly in the movie hall. The setting of the Burning people is indeed poetic enough, using the body as fuel, the unstoppable anger, forever resisting, burning forever, burning up all the injustices in the world, and then the body turns to ashes, which is completely the embodiment of the spirit of the youth. When lio first appeared, he said to Galo, "The flame is a part of us, we can only live by burning it." The pain of almost carrying a mission almost broke his thigh immediately.
The plot of Trigger Club has always been very simple. The characters of this film can be seen to the bottom as soon as they appear. Who is the fake villain and who is the real villain, you can guess all the plots. I feel that the screenwriter has combined all the common dog blood in one go, and I don't care about the details at all, ordinary film and television dramas need to solidify the description of the Trigger Club in a second or two, as if they are teasing their peers - they go to great lengths to make the plot appear believable and logical, but in fact it is not. Just playing the industrialized screenwriting trick. In "Cosmic Interpol Luluzi", the heroine went to the police station to ask for her father. The sheriff arrested her in the first sentence, released her in the second sentence, arrested her in the third sentence, and released her in the fourth sentence. More than 20 seconds, like a child's play, is an extreme ridicule of the protagonist's "up and down".
As a result, the film can be finished soon, leaving a lot of time blank, all reserved for painting. That dazzling action scene with scalp tingling, singing all the way to the end of the world, after a few hours, walking out of the theater, I felt a sore eye physically. The Trigger Club and Disney's early 2D animations undoubtedly impressed me a lot, making me really feel that the animation skill itself is worthwhile and must be appreciated as an isolated object. Opera and dance dramas that simply praise music and limbs can be tiresome and go on and on, and for three or four minutes only show whether the characters are youthful and cute or mysterious and sexy. The animation should also be worth it. Disney's "Bambi" has almost no plot, and only describes how the deer walk and run. Delicate and perverted for a long time, the audience is not only going to experience it through the eyes of the artist. When the big three bangbangbang flashed on the screen one by one, the huge brand name slammed into the background like ore, the kind of self-evident "I'm important" hardcore middle 2 does not need any plot to support . lio and galo jumped down from the skyscraper, stepped on the female voice full of power, wrapped in flames and frost, and flew on the towering light blue giant glass, the angle of view rotated, dashed, and rotated again, the flame was a knife and a bow , it's the arrow, it's everything, the unprecedented freedom that seems to be able to control the world is something only animation can give.
Of course, refreshing painting is not only a simple entertainment to stimulate the senses, it also conveys a kind of attitude and emotional power. The Trigger Club's worldview does not shy away from practical problems. Klk wants to write about the absurdity and horror of a totalitarian society. This film also wants to write about the crushing of people in modern society and the cruelty of mainstream people to marginalized people. The Burning people are simply representatives of our generation. They are tortured by modern manic-depressive disorder to the point of spitting fire, rejected by able-bodied people, and rolled into a spinning top as a dry battery of human flesh. The juvenile spirit is useless in reality, it will hurt people inadvertently, there is usually a natural barrier between the right and the effective, but here, bright kindness can overcome everything, like a kind of village wish, it is all grown up. The best expectations of the people - praising sincerity, praising persistence, praising love, and wishing them to break through all barriers. Realistic considerations are the least important thing. Lio insists that the Burning people do not kill people at will. This is adhering to the noble, irrelevant to strategy and politics. Arson is to expose injustice, and it is correct not to kill people. When lio was finally overwhelmed by grief and wanted to set the whole city on fire, galo's roar made lio change his mind, just because he was right. The values of this film are so righteously bright and kind, and they don't even bother to describe the evil villain. The old man who betrayed his clan for his own sake turned into a small and funny dwarf at the moment of his rebellion. He was quickly resolved and the first Burned out, the heads of the Frozen Troops howled in pain as they were washed away by the flames, and turned into hilarious villains. The film rightfully disdains the ugliness of the villain, so much so that it doesn't bother to spend any more.
High concentration also means a keen sense of reality, and the film has timeless moments in all the pop-up scenes. In the cold winter, the burning clansmen gathered in the blue cave, and in the whole piece of splendid bravery like the morning summer, it was like the frost and dew condensed in the long night, which is the most light of all. The respect for life, the concern for people, and the friendship connected by common trauma almost produced a power similar to religion, a power that made the weak great, and the Burning people were the gypsies of Promir. Lio's anger has a solid ground, and behind his roar are the corpses and blood and tears of thousands of people. Galo's values are cracked, but he is still an other, so he has to ask why he can't hide the flame and be a normal person, but the flame is a painful force that has to pretend to be normal, under the oppression of the structure. How to dissipate anger. Afterwards, Galo debated with Kray, saying that it would be good to catch the arsonist. Burning people are also human. The meager copying and appropriation of lio's words seems clumsy, empty, and even frivolous, because he was really just shocked, and Can't feel it. The animation depicts the state of the moment when Galo speaks for the Burning Race pale, and it is this paleness that shows the solemnity of the creator's respect for the victim's own words in reality.
The interaction between galo and lio in the first 20 minutes progressed quickly and meticulously. Galo's belief in rules and justice, and his blindness to goodness made him symbolize people, and his contact with real people made him doubt. Everything he believed could almost be regarded as the history of Little Pink's awakening. But after galo stops lio, their shaping stops. How lio chooses between the right and the effective is a painful proposition. This kind of entanglement and entanglement is a frequent visitor to reality, and the task of this film is not to solve this, that is Giant's mission. So there is a crisis of heaven, and lio's pain is replaced by a larger humanitarian disaster, and the choice he faces suddenly becomes trivial. Galo will also give up thinking, and the final effect will make his existence not point to any meaning from a metaphorical point of view. lio is a rebel, a concentrated spirit, while galo is a boy who only relies on instinct to maintain order, and a cold arbitrator full of enthusiasm. Enthusiasm is just a trick of structural symmetry. Just like his lines, he burns everything to put out the fire. When lio hears it, he will ask if you know what you are talking about? nonsense.
This film is still merciful when it depicts cruelty. When capturing the pizza workers of the hidden Burning clan, I thought I was going to write about power by creating enemies to create an emergency in order to seize power, and in the name of burning clan, let the real citizens walk on thin ice, but the result was Yes, it's really only catching the burning clansmen. The conflict moved to outer space, suspending the problem. The conflict between the Burning clan and the human race is also realized through the stripping of their identities. The burning clan people are evidence of human beings, and they are really just human beings, not what human beings should tolerate. How beautiful is the last full burn to save the world, the flood of fire washes over the earth and washes away all sins. The interpretation of the combination of galo and lio is indeed funny, the determination to burn and the determination to extinguish the fire are combined into one, which may explain the meaning, but the possibility of that cynicism makes me reluctant to do that, I would rather it is a pure Structural symmetry trick. In the end, the huge flame in lio left him and floated into continuous beams like a flood. The picture was so beautiful and the meaning was so terrifying. If you want to integrate into society, the anger of the youth must disappear, and the rebels become civil servants, aliens. still need to be expelled.
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