Tears twice (with spoilers)
1. It's because I don't have this kind of pure burning feeling for a long time. As a worker in the animation industry, I feel very moved.
2. When Gallo yelled at the violent Leo that it was not hot at all, not hot at all, my rotten girl's soul touched
But after watching it, I feel that the story structure of the animation is not complicated. Basically, you can think of the next part when you see the previous part, just like the different emotions he and others show when you see the little brother who bakes pizza. Different from others, when Leo kissed to save his companions, he could already guess that he needed this kiss in the end, but this is the feeling of coolness, the feeling of being on schedule, hearty fights, and flaming music. All just right.
In my opinion, this "cool" does not mean that there is no connotation, because the source of the story is very complicated from a cool point of view, so in the non-fighting time, the sudden slowdown of the interpretation rhythm makes the next to me The little friend is just about to fall asleep, and the explanation is only limited in space, which makes people vaguely understand, but these are not important.
We only need to know what time-space fission happened. The fusion of the earth and another earth in a parallel time and space has produced another race on the earth. They cannot resist their own will to burn, and human beings have to have the will to put out fire. The key point is that Rio, the strongest will of the Burning Race, and Gallo, the strongest will of mankind to extinguish fire, are released in the final extreme, making the earth return to its proper appearance.
If you know something about Schopenhauer's "The Will to Life", it doesn't matter if you don't. Let's Baidu: Schopenhauer believes that the world is the world as will and representation. Representation is the objectification of will . Therefore, the essence of the world is will. Will is an uncontrollable blind impulse and infinite desire, and the essence of will desire is life, that is, survival and reproduction.
But Schopenhauer believes that what the will brings is negative and painful. But he also proposed two methods of rebelling against the will: the first is to obey the will, which is the madness of giving up reason and completely subordinate to the will; the second is death.
After reading it, I think the most burning point is: rather than death, deny the will of life to get rid of the abyss of pain, but choose the reconstruction after releasing the limit of the will, which is really burning. And this kind of choice is often regarded as an unattainable crazy behavior in reality, but it is really cool to realize it in the two-dimensional world.
However, due to the limited space, it seems that sometimes the dialogues of the characters are a bit strange. Maybe everyone is still thinking, why can't they control not to burn? In fact, we can often see in many hot-blooded animations, the will of fire, their own will, etc., the protagonists have firmed their will, and it seems that their life will be meaningless if they do not do this. But the hot-blooded comics are burning. We know our will in life, but it is not our will from birth. In many cases, we cannot act according to our own will, but in the world of two dimensions, we have seen the way you want.
It was the first time I wrote a film, and it reminded me of this feeling. I watched "Naruto" in junior high school, and I was moved when I saw Naruto's determination to become Naruto. Making animation, although it is still far away, but also because of this kind of moving, I firmly took this road.
Thanks to the second dimension world~ Thanks to the workers from all walks of life who have created such a world.
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