[[I just express my personal thoughts, I respect the preferences of others, I have no intention to step on, I have no intention of ky, I have no intention to offend]]
I went to see "Promea", I am very happy, cool (thumb.jpg)
In fact, the plot is ok, the story is clearly told, it's pretty cool, it's not as bad as what the Internet says, I read other people's comments and pv before and thought it was the kind of plot that was completely broken, very boring, and only left For a film that art can watch, I was even prepared to be tortured by the mentally retarded plot before I went to the cinema... Actually, "Pu" is not! (Remembering watching "Weathering With You" before, I was tortured by the boring and old story to the point where I wanted to walk away! It's too Japanese light novel! Although my friend told me she liked "Weather" and thought it was great; If I can ride the waves with you", Yuasa Masaru's unrestrained imagination and unique style are really strong in the industry. I admire it very much, but the plot is worse. Of course, "The Wave" is not Yuasa. Of course, these evaluations are not entirely out of personal preference, I will appreciate both "Ran Xiang" and "Love Xiang", I think Makoto Shinkai's "The Garden of Words" is not bad) For me, In the first half of "Pu", the character modeling and art design have improved the favorability. Like Lio and Galo, they are still mature, and they can communicate with each other with rational, intelligent empathy. This is praised. I am most afraid of those who will only howl without thinking Characters (it is the lower limit of my tolerance for characters, although "Pu" is not much better); and when I watched pv before, I thought it was similar to the jump series "As long as we unite as one, we can defeat the enemy!" routine (I can endure it The lower limit of the plot, although "Pu" is slightly better) The various geometric art designs are very beautiful, especially the triangular ripples in Lio's rescue of the clansmen are particularly beautiful, although I can't help but complain when I watch the fire burn, "This shape Is it really still flames? It’s more like a weapon that can be deformed and controlled at will… and it doesn’t look hot”; many camera movements and transitions make people look very comfortable; the angry Lio in the middle is actually easily swept away by Galo Stop it, the force value here doesn't feel very balanced...? Why are the two unrelated elements of combustion and mecha coming together! The ending is always difficult (I think even the ending of a movie of the level of Red Pepper would have disappointed me a little, although the ending of Red Pepper has a meaning) The cliché in the second half made the favorability drop a little bit, Although the mechs fight with each other, it's cool, but it's really been a long time... Don't throw it to the alien civilization if you are indecisive! Such a big crisis! ! Such a huge amount of energy can actually be transmitted if it is transmitted, and if it is not, it will not be...
The overall setting is really Japanese, and the purity concentration is too high (this is no nonsense, look at the director's name is Imaishi Hiroyuki), such as the introduction of traditional routine settings at the beginning, traditional arts involving social politics, teaching the law, and mapping the sea Discord between the army, the Japanese mecha soul (dating back to the Gundam of the last century), the visual sense of eva, the name of the move, the male protagonist's combined doubles and so on... In short, these elements have always made me laugh—— Too old-fashioned!
And the so-called "gay kissing" on the Internet, I guessed that it must be for saving people, doing CPR, etc. When I saw the part of saving Lio, I thought it was very serious, or it was serious to give people a good impression. After the obvious sell-off, I would run away overnight ( ) It’s a pity that Lio’s performance in the second half was not so brilliant (the first half of the people has been brilliant! After all, there are two male protagonists combined doubles (.) and Galo is clearly in front He is made to have his own reason and thinking. Although he is a bit impulsive, he is not stupid. It is okay to like to pretend to be cool, but the director has always emphasized that he is an idiot... Me: From what I see, Hokage, giants, demi-humans When it comes to "Pu", is it necessary to arrange an idiot in today's works? It's just my personal preference, I still prefer the dialogue between smart people, which is labor-saving and efficient, such as "Ghost in the Shell" In the 95th edition, Togusa detected the conspiracy of Lesson 6 and told Motoko and the puppet master's speech, as well as the whole series of "Battling in the Shell". Anyway, I was quite comfortable watching it.
Although "Pu" was originally intended to be aimed at teenagers, I always felt that it was a pity that the characters could not be deeply explored (Hey! Clarification! There are not many popular commercial movies that can deeply explore the characters! The movies are not like comics. A novel can carve a character for a long time!)
finally! Hiroyuki Sawano's soundtrack is great! I've been tapping my feet + shaking my head when I'm in the cinema
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