The 17-year-old Masami Nagasawa is as beautiful as the summer vacation in his memory. On the eve of the typhoon, Sakutaro's tape with his first love in high school was accidentally discovered by his fiancee Ritsuko. Ritsuko left the note and left, and Sakutaro went out to look for it. He took the tape and found the location of his student days. A chain of events emerges in these old-time scenes, as well as his first love, Aki, a girl who died of leukemia during the whistling days of a typhoon. The film uses the same scene in reality and memory as the intersection of narrative. The real part has not become a foil for memories, but a cathartic commentary of emotions, which is also a sublimation of time and life. The recall part of the warm yellow summer, and the cold and gray typhoon day in reality, formed an emotional color contrast. Half of this film is after Yaji's illness, and the film shows Yaji's life in 30 minutes. Tombstone, so the movie is not a romantic youth love movie in the usual sense, but a slightly heavy movie, which also inserts the love story of the photo studio owner and the deceased principal, which also adds to the movie in a longer historical background. A heavy taste. At the same time, the role of the owner of the photo studio is particularly exquisite. Although there are not many words and a cold appearance, he is the link between memories and reality. He used the camera to witness love, time and life and death. Lulu, the "center of the world" that Sakutaro and Aki had agreed to go to. Under the golden sunlight, they scattered Aki's ashes in the wind...
View more about Crying Out Love in the Center of the World reviews
