The early 20th century was an era of "terminally ill" love. Taiwan had the first intimate contact, South Korea had blue life and death love, Japan had a call for love in the center of the world, and when I was young, I was full of "patriotic" enthusiasm. I have only seen Taiwan and South Korea. , I haven't seen Japan. At that time, Qing Wu Feiyang and Song Hye Kyo were really crying. They were the same beauty. After more than ten years, I didn't feel any tears when I watched Nagasawa Masami. The numbness is that I am still the times.
In fact, in terms of shooting, this film is definitely more careful than the blue life and death and the first intimate contact, such as the old principal and the photographer and the hero and heroine, such as the principal's ashes + the magic of flying petals before death and the final throwing of ashes , such as the tape + athlete, which freezes life and is full of vitality and short-lived life, such as the inconvenient legs at the beginning and the car accident at the end of the film, such as the mixed insertion method throughout the whole film, such as the content of the tape and the story. I'm shooting with heart, but what's going on? The more attentive it is, the harder it is to impress an "old man" like me. Should love be so neat?
Having said that, wouldn't the current writer and director of the original work ask about the situation of the former when they were in love? Aki's existence, newlyweds don't know until they get married? In addition, why do I feel that the male protagonist is more like a "scumbag"? The photographer has always been alone in love with the old principal, how did the male protagonist find out that the female protagonist he loves has always been in a certain corner of his heart through the actions of his fiancee before getting married~~
View more about Crying Out Love in the Center of the World reviews
