1. Feng Shaofeng's blood of monster hunters is useless. He is HIV-positive, so monsters have to avoid him.
2. As an archmage, every time Fei Xiang exerted his power, he was just a fire in that winter. It seems that for decades, the skills have not improved.
3. The frequent exchanging of hearts and skins in the film made Almodovar cry. The practical significance of this film is probably: to warn the majority of minors not to easily sell their kidneys for apples, and to protect their bodies! (I took a 4th grade boy to see Painted Skin 2, and she was scared to cry by the scene of changing the skin!)
4. Wu Ershan used epic specifications to shoot a broken romance this time, telling the story Worse than the last one. This guy always likes to play with concepts and pretend to be esoteric, but the simplest truths and simplest stories are told very poorly. By the way, you have already contacted Monkey and Tang Que, so why don't you make a Kyushu movie?
5. All points and credits go to the art. It is said that shooting magic films can not only travel through various dynasties and countries in the costumes and props scenes, but also do not need to be infamy. Finally, Yoshitaka Amano is awesome! The premise of shooting Oriental Magic in the future is probably to establish the Greater East Asia Magic Culture Co-Prosperity Circle!
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