He never denied his handsomeness, and to a certain extent affirmed his own fascination. When he and Xie Na fell in love with each other and pledged to each other, I was still a little sad.
Such a handsome man, together with such a crazy girl, is more or less lacking in everyone's reverie of "golden boy and girl". In my opinion, Liu Ye is the gentle and affectionate prince in the romantic world, while Xie Na is at best a clown who stays in the castle and makes people smile.
At least many years ago I looked at women harshly, let alone stars.
With a dream of stars, I watched "The Mountain, That Man, That Dog", "Heaven's Mouth", "The Golden Armor of the City", "Jasmine Blossoms", "The Promise", and some others where he worked for his livelihood and fame. And the TV series that I have been filming - an idol drama without judgment, about youth and dreams - "Blood Romance", "What Can I Use to Save You and My Lover". But the big screen is the only place to create talent and brilliance.
Powerless disappointment. There is a gradual increasing trend.
The last movie I saw about him was "Dark Matter," and I wouldn't have had the patience to watch it if it wasn't for Meryl Streep.
It should have started from "The Promise", Liu Ye's performance style has always stayed on the surface of nothingness. Guilang's humble and ignorant loyalty is just superficial with a mask; I remember Jiang Wen and Chen Chong in "Jasmine Blossom", but I can't remember another poor college student who had an affair; "Heaven's Mouth", the story of a failed director who failed The characters, in addition to Shu Qi's sexy red lips, are still in the folds of my memory, Zhang Zhen, Liu Ye, and Wu Yanzu only left the word "contrived" in the Venice Film Festival in 2007.
Then to Dark Matter, let's take a closer look at his acting skills for the last time. Chen Shan can be lacking, but he has his own appearance.
Playing a postgraduate student studying in the United States in the 1990s, full of enthusiasm for science, shy smile, speechless about human accidents, and a big boy who cannot integrate into traditional American society.
Presumably he understood the director's intentions, but unfortunately he didn't do enough homework, thinking that the blinking eyes and the hands and feet that he didn't know how to place could portray the microcosm of the international students in that era.
Everything is too deliberate, pursuing the sense of the camera, but not comprehending the character with "heart". Even if there is an old actor like Meryl Streep, it will not help. I don't know if it's a cost budget or a schedule issue, but the way the director handles the shots also makes me feel that his mind is not entirely in the core of the film, and he is always chasing after the film to finish it.
Liu Ye, like too many actors, became a star instead of an actor. What lies between the two is fame and fortune.
And the woman who was once abandoned by him, watching her happy base on Saturday, played the cute Xie Na, the little crazy Xie Na, the self-deprecating Xie Na and the singer Xie Na in four or five hosts. From the unrecognized hosting style to the unique and national pistachio first sister of Hunan Taiwan, I fell in love with her without any sympathy.
Nana, true temperament.
Liu Ye, let his eyes stay in "Lan Yu".
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