Literally speaking, anti-eroticism is indeed anti-eroticism. Whether it is the nakedness of a girl or a mature woman, it does not bring any desire to people. It is still the usual hysterical depravity and desperate madness of Sonoko Wen. But is there something else behind all this? The film has been talking about freedom until the end, just like in a studio, there are beds and toilets, but there is no exit.
So the opposite is freedom in a broad sense, that is, the decadence of the heroine's life; or the unfreedom of women in a male-dominated society in the heroine's lines?
The heroine's house is like a cage, and the father's power is high. And the heroine in the crew is still an abandoned newcomer.
Maybe Sonoko is the opposite, it has always been the world he lives in.
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